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Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
#fight4rojava
Graffiti
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Hatred Among Us
Lisette Lagnado
Essay
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
St Sara Kali George
Delaine Le Bas
Soundscape
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
O Bailado do Deus Morto
Flávio de Carvalho
Play
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
THE MOBILIZATION
Nicolás Cuello
Text
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.