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Language:
María Berríos
In: Afterall
2017
Language:
Can a museum be a weapon? What follows is the story of how a small-scale early-1970s counter-information campaign to defend the Chilean ‘revolution without arms’ against a transnational imperialist smear campaign materialised into an experimental museum, based on the principle that art and politics are intrinsically inseparable. Initially simply a ‘beautiful and generous’ idea of a museum free and open to all, and against the geo-political monopoly of art by the interests of the capitalist metropolis, the ‘museum of solidarity’—self-proclaimed as such before the existence of a collection or a building to house it (the latter came only decades later)—would indeed become an important organ for resistance. …
Read the full essay as published in Afterall 44 Autumn/Winter 2017. The text is generously made accessible by Afterall for the 11th Berlin Biennale.
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
BLM KOREA ARTS
Young-jun Tak
Statement
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
II: La Solidaridad va Más Allá de un Concepto. ...
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Glossary of Common Knowledge
L’Internationale Online
Glossary
A World Without Bones
Agustín Pérez Rubio
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Language:
María Berríos
In: Afterall
2017
Language:
Can a museum be a weapon? What follows is the story of how a small-scale early-1970s counter-information campaign to defend the Chilean ‘revolution without arms’ against a transnational imperialist smear campaign materialised into an experimental museum, based on the principle that art and politics are intrinsically inseparable. Initially simply a ‘beautiful and generous’ idea of a museum free and open to all, and against the geo-political monopoly of art by the interests of the capitalist metropolis, the ‘museum of solidarity’—self-proclaimed as such before the existence of a collection or a building to house it (the latter came only decades later)—would indeed become an important organ for resistance. …
Read the full essay as published in Afterall 44 Autumn/Winter 2017. The text is generously made accessible by Afterall for the 11th Berlin Biennale.
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
A Moment of True Decolonization / Episode #6: Sinthujan ...
The Funambulist / Sinthujan Varatharajah
Podcast
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Glossary of Common Knowledge
L’Internationale Online
Glossary
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
Conversation
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Género y colonialidad en busca de claves de lectura ...
Rita Segato
Essay
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
O Bailado do Deus Morto
Flávio de Carvalho
Play
Maternidades subversivas
María Llopis
Monograph
Umbilical Cord Amulet
McCord Museum
Object
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Language:
María Berríos
In: Afterall
2017
Language:
Can a museum be a weapon? What follows is the story of how a small-scale early-1970s counter-information campaign to defend the Chilean ‘revolution without arms’ against a transnational imperialist smear campaign materialised into an experimental museum, based on the principle that art and politics are intrinsically inseparable. Initially simply a ‘beautiful and generous’ idea of a museum free and open to all, and against the geo-political monopoly of art by the interests of the capitalist metropolis, the ‘museum of solidarity’—self-proclaimed as such before the existence of a collection or a building to house it (the latter came only decades later)—would indeed become an important organ for resistance. …
Read the full essay as published in Afterall 44 Autumn/Winter 2017. The text is generously made accessible by Afterall for the 11th Berlin Biennale.
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
IV: How Fear Can Dismantle a Body. Vis-a-Vis with ...
María Berríos, Lisette Lagnado
Conversation
Feminist Health Care Research Group
Web archive
II: La Solidaridad va Más Allá de un Concepto. ...
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Hatred Among Us
Lisette Lagnado
Essay
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Género y colonialidad en busca de claves de lectura ...
Rita Segato
Essay
A World Without Bones
Agustín Pérez Rubio
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
A World Without Bones
Agustín Pérez Rubio
COVID-19 VIDEOS
Carlos Motta
Video
Freiheit für Chile!
Anonymous
Photo album
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Language:
María Berríos
In: Afterall
2017
Language:
Can a museum be a weapon? What follows is the story of how a small-scale early-1970s counter-information campaign to defend the Chilean ‘revolution without arms’ against a transnational imperialist smear campaign materialised into an experimental museum, based on the principle that art and politics are intrinsically inseparable. Initially simply a ‘beautiful and generous’ idea of a museum free and open to all, and against the geo-political monopoly of art by the interests of the capitalist metropolis, the ‘museum of solidarity’—self-proclaimed as such before the existence of a collection or a building to house it (the latter came only decades later)—would indeed become an important organ for resistance. …
Read the full essay as published in Afterall 44 Autumn/Winter 2017. The text is generously made accessible by Afterall for the 11th Berlin Biennale.
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
#fight4rojava
Graffiti
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
Conversation
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
A Moment of True Decolonization / Episode #6: Sinthujan ...
The Funambulist / Sinthujan Varatharajah
Podcast
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
BLM KOREA ARTS
Young-jun Tak
Statement
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
IV: How Fear Can Dismantle a Body. Vis-a-Vis with ...
María Berríos, Lisette Lagnado
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.