Sign up for our newsletters. You can change the settings or unsubscribe at any time.
Thank you for your subscription. We have sent you an e-mail with a confirmation link.
exp. 1
exp. 2
exp. 3
In 1933, Flávio de Carvalho founded the Teatro da Experiência [Theater of Experience], which took place at the Clube dos Artistas Modernos (CAM) [Club of Modern Artists] in São Paulo. The main idea behind the initiative was to experiment with the psychology of entertainment. De Carvalho’s play O Bailado do Deus Morto presented the story of the killing of a “hairy God,” betrayed by an “inferior woman.” The work was performed by a predominantly Black cast of non-actors dressed in white nightgowns and wearing aluminum masks. The heretical content of the piece plus the, at the time, unorthodox presence of Black bodies on stage was considered so scandalous that it led to the space being shut down by the police.
A scene of O Bailado do Deus Morto, November 1933
B/w photograph, exhibition print
Source: Fundo Flávio de Carvalho/CEDAE-UNICAMP, Campinas
Photo: Mathias Völzke
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
A World Without Bones
Agustín Pérez Rubio
THE MOBILIZATION
Nicolás Cuello
Text
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
