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Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
New Look
Flávio de Carvalho
Performance
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
THE MOBILIZATION
Nicolás Cuello
Text
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
O Bailado do Deus Morto
Flávio de Carvalho
Play
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
COVID-19 VIDEOS
Carlos Motta
Video
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.