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exp. 1
exp. 2
exp. 3
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
St Sara Kali George
Delaine Le Bas
Soundscape
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Freiheit für Chile!
Anonymous
Photo album
Maternidades subversivas
María Llopis
Monograph
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
Glossary of Common Knowledge
L’Internationale Online
Glossary
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Maternidades subversivas
María Llopis
Monograph
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
#fight4rojava
Graffiti
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
Umbilical Cord Amulet
McCord Museum
Object
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Teatro da Vertigem
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.