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exp. 1
exp. 2
exp. 3
Was part of: exp. 1 and exp. 3
Mirja Reuter, born 1986 in Bamberg, DE
Florian Gass, born 1966 in Munich, DE
Live and work in Berlin, DE
The collective practice of Mirja Reuter and Florian Gass has developed in dialogue with the children who take part in the workshops they have organized around such activities as mobile puppet theater performances, dramatizations of provenance research, model carmaking and team racing, and narrative improvisations and filmmaking. As a microcosm of everyday life, theater provides a stage for role-playing and collective narration and storytelling, allowing both actors and viewers to reflect upon the performative nature of individual and social group identities.
Already familiar with the neighborhood of Wedding, given their experience developing projects with the Quartiersmanagement Brunnenviertel social fund, Reuter–Gass participated in exp. 1: The Bones of the World with several workshops, both for school classes and local children. One of these, titled Geschichten in Bewegung [Stories in Motion, 2019], engaged a group of third graders from the local Brüder-Grimm Elementary School to construct stick puppets and stage sets for public puppet and shadow theater performances at the 11th Berlin Biennale’s ExRotaprint venue. They also contributed individual drawings and paintings (Reuter’s suggested childhood unrest; Gass’ fragile bodies) to a visual display documenting this edition of the biennial’s embrace of processual—rather than object-oriented—artistic and cultural practices.
For exp. 3 Reuter-Gass invited children from the neighborhood to produce large-scale puppets whose bodies become part of the materiality of improvisations and performances articulating their perspectives, desires, and fears.
Michèle Faguet
List of works
Mirja Reuter, untitled (from the series hybrids), 2011, marker on paper
Mirja Reuter, untitled (from the series hybrids), 2011, oil pastel chalk on paper
Florian Gass, untitled, 2003, pencil and oil on paper
Florian Gass, setzt uns wieder zusammen [put us back together again], 2010, oil on canvas
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
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Was part of: exp. 1 and exp. 3
Mirja Reuter, born 1986 in Bamberg, DE
Florian Gass, born 1966 in Munich, DE
Live and work in Berlin, DE
The collective practice of Mirja Reuter and Florian Gass has developed in dialogue with the children who take part in the workshops they have organized around such activities as mobile puppet theater performances, dramatizations of provenance research, model carmaking and team racing, and narrative improvisations and filmmaking. As a microcosm of everyday life, theater provides a stage for role-playing and collective narration and storytelling, allowing both actors and viewers to reflect upon the performative nature of individual and social group identities.
Already familiar with the neighborhood of Wedding, given their experience developing projects with the Quartiersmanagement Brunnenviertel social fund, Reuter–Gass participated in exp. 1: The Bones of the World with several workshops, both for school classes and local children. One of these, titled Geschichten in Bewegung [Stories in Motion, 2019], engaged a group of third graders from the local Brüder-Grimm Elementary School to construct stick puppets and stage sets for public puppet and shadow theater performances at the 11th Berlin Biennale’s ExRotaprint venue. They also contributed individual drawings and paintings (Reuter’s suggested childhood unrest; Gass’ fragile bodies) to a visual display documenting this edition of the biennial’s embrace of processual—rather than object-oriented—artistic and cultural practices.
For exp. 3 Reuter-Gass invited children from the neighborhood to produce large-scale puppets whose bodies become part of the materiality of improvisations and performances articulating their perspectives, desires, and fears.
Michèle Faguet
List of works
Mirja Reuter, untitled (from the series hybrids), 2011, marker on paper
Mirja Reuter, untitled (from the series hybrids), 2011, oil pastel chalk on paper
Florian Gass, untitled, 2003, pencil and oil on paper
Florian Gass, setzt uns wieder zusammen [put us back together again], 2010, oil on canvas
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Hatred Among Us
Lisette Lagnado
Essay
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 3
Mirja Reuter, born 1986 in Bamberg, DE
Florian Gass, born 1966 in Munich, DE
Live and work in Berlin, DE
The collective practice of Mirja Reuter and Florian Gass has developed in dialogue with the children who take part in the workshops they have organized around such activities as mobile puppet theater performances, dramatizations of provenance research, model carmaking and team racing, and narrative improvisations and filmmaking. As a microcosm of everyday life, theater provides a stage for role-playing and collective narration and storytelling, allowing both actors and viewers to reflect upon the performative nature of individual and social group identities.
Already familiar with the neighborhood of Wedding, given their experience developing projects with the Quartiersmanagement Brunnenviertel social fund, Reuter–Gass participated in exp. 1: The Bones of the World with several workshops, both for school classes and local children. One of these, titled Geschichten in Bewegung [Stories in Motion, 2019], engaged a group of third graders from the local Brüder-Grimm Elementary School to construct stick puppets and stage sets for public puppet and shadow theater performances at the 11th Berlin Biennale’s ExRotaprint venue. They also contributed individual drawings and paintings (Reuter’s suggested childhood unrest; Gass’ fragile bodies) to a visual display documenting this edition of the biennial’s embrace of processual—rather than object-oriented—artistic and cultural practices.
For exp. 3 Reuter-Gass invited children from the neighborhood to produce large-scale puppets whose bodies become part of the materiality of improvisations and performances articulating their perspectives, desires, and fears.
Michèle Faguet
List of works
Mirja Reuter, untitled (from the series hybrids), 2011, marker on paper
Mirja Reuter, untitled (from the series hybrids), 2011, oil pastel chalk on paper
Florian Gass, untitled, 2003, pencil and oil on paper
Florian Gass, setzt uns wieder zusammen [put us back together again], 2010, oil on canvas
Umbilical Cord Amulet
McCord Museum
Object
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
O Bailado do Deus Morto
Flávio de Carvalho
Play
St Sara Kali George
Delaine Le Bas
Soundscape
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 3
Mirja Reuter, born 1986 in Bamberg, DE
Florian Gass, born 1966 in Munich, DE
Live and work in Berlin, DE
The collective practice of Mirja Reuter and Florian Gass has developed in dialogue with the children who take part in the workshops they have organized around such activities as mobile puppet theater performances, dramatizations of provenance research, model carmaking and team racing, and narrative improvisations and filmmaking. As a microcosm of everyday life, theater provides a stage for role-playing and collective narration and storytelling, allowing both actors and viewers to reflect upon the performative nature of individual and social group identities.
Already familiar with the neighborhood of Wedding, given their experience developing projects with the Quartiersmanagement Brunnenviertel social fund, Reuter–Gass participated in exp. 1: The Bones of the World with several workshops, both for school classes and local children. One of these, titled Geschichten in Bewegung [Stories in Motion, 2019], engaged a group of third graders from the local Brüder-Grimm Elementary School to construct stick puppets and stage sets for public puppet and shadow theater performances at the 11th Berlin Biennale’s ExRotaprint venue. They also contributed individual drawings and paintings (Reuter’s suggested childhood unrest; Gass’ fragile bodies) to a visual display documenting this edition of the biennial’s embrace of processual—rather than object-oriented—artistic and cultural practices.
For exp. 3 Reuter-Gass invited children from the neighborhood to produce large-scale puppets whose bodies become part of the materiality of improvisations and performances articulating their perspectives, desires, and fears.
Michèle Faguet
List of works
Mirja Reuter, untitled (from the series hybrids), 2011, marker on paper
Mirja Reuter, untitled (from the series hybrids), 2011, oil pastel chalk on paper
Florian Gass, untitled, 2003, pencil and oil on paper
Florian Gass, setzt uns wieder zusammen [put us back together again], 2010, oil on canvas
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Maternidades subversivas
María Llopis
Monograph
Glossary of Common Knowledge
L’Internationale Online
Glossary
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.