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Documentation
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov
With Geschichten in Bewegung II: Hoch hinaus [Stories in Motion II: Flying High], Mirja Reuter and Florian Gass followed on their workshop held as part of exp. 1: The Bones of the World (7.9.–9.11.2019). In groups, children from the neighborhood developed and built larger-than-life moving figures. In a shared process of conception and construction, all contributed their ideas and skills. The figures were built, sewn, painted, and assembled using bamboo sticks, cardboard, and fabrics. They then were brought to life and served as the starting point for joint scenic realizations. What might these new collective beings experience? Where do they come from? What skills do they have to use to make themselves heard?
In cooperation with the Department for Culture, Arts and History of the District Office for Mitte in Berlin. Supported by the Berliner Projektfonds Kulturelle Bildung.
Photos: Berlin Biennale
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Umbilical Cord Amulet
McCord Museum
Object
O Bailado do Deus Morto
Flávio de Carvalho
Play
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
A World Without Bones
Agustín Pérez Rubio
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov
With Geschichten in Bewegung II: Hoch hinaus [Stories in Motion II: Flying High], Mirja Reuter and Florian Gass followed on their workshop held as part of exp. 1: The Bones of the World (7.9.–9.11.2019). In groups, children from the neighborhood developed and built larger-than-life moving figures. In a shared process of conception and construction, all contributed their ideas and skills. The figures were built, sewn, painted, and assembled using bamboo sticks, cardboard, and fabrics. They then were brought to life and served as the starting point for joint scenic realizations. What might these new collective beings experience? Where do they come from? What skills do they have to use to make themselves heard?
In cooperation with the Department for Culture, Arts and History of the District Office for Mitte in Berlin. Supported by the Berliner Projektfonds Kulturelle Bildung.
Photos: Berlin Biennale
Maternidades subversivas
María Llopis
Monograph
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
St Sara Kali George
Delaine Le Bas
Soundscape
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov
With Geschichten in Bewegung II: Hoch hinaus [Stories in Motion II: Flying High], Mirja Reuter and Florian Gass followed on their workshop held as part of exp. 1: The Bones of the World (7.9.–9.11.2019). In groups, children from the neighborhood developed and built larger-than-life moving figures. In a shared process of conception and construction, all contributed their ideas and skills. The figures were built, sewn, painted, and assembled using bamboo sticks, cardboard, and fabrics. They then were brought to life and served as the starting point for joint scenic realizations. What might these new collective beings experience? Where do they come from? What skills do they have to use to make themselves heard?
In cooperation with the Department for Culture, Arts and History of the District Office for Mitte in Berlin. Supported by the Berliner Projektfonds Kulturelle Bildung.
Photos: Berlin Biennale
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
St Sara Kali George
Delaine Le Bas
Soundscape
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
O Bailado do Deus Morto
Flávio de Carvalho
Play
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov
With Geschichten in Bewegung II: Hoch hinaus [Stories in Motion II: Flying High], Mirja Reuter and Florian Gass followed on their workshop held as part of exp. 1: The Bones of the World (7.9.–9.11.2019). In groups, children from the neighborhood developed and built larger-than-life moving figures. In a shared process of conception and construction, all contributed their ideas and skills. The figures were built, sewn, painted, and assembled using bamboo sticks, cardboard, and fabrics. They then were brought to life and served as the starting point for joint scenic realizations. What might these new collective beings experience? Where do they come from? What skills do they have to use to make themselves heard?
In cooperation with the Department for Culture, Arts and History of the District Office for Mitte in Berlin. Supported by the Berliner Projektfonds Kulturelle Bildung.
Photos: Berlin Biennale
Teatro da Vertigem
Monograph
Feminist Health Care Research Group
Web archive
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
St Sara Kali George
Delaine Le Bas
Soundscape
Freiheit für Chile!
Anonymous
Photo album
A World Without Bones
Agustín Pérez Rubio
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.