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Documentation
exp. 1: The Bones of the World
Stories are developed in collective processes. They are pieced together from various perspectives, desires, and fears. In the Puppet Theater Workshop for children and youth offered by Florian Gass and Mirja Reuter an additional contributing factor is the wish to determine or interpret the course of events oneself. Taking place in conjunction with the 11th Berlin Biennale at the ExRotaprint complex, the workshop allows participating children and youth to construct puppets and stage sets as well as apparatuses to project shadows and images as well as fictions and illusions. A movable structure made of scenic components and screens provides a setting for new narratives to unfold on a daily basis. It also facilitates experimental play with the acts showing and concealing, since the participants enact the plays with their own bodies, voices, and self-built puppets.
Photos: Mathias Völzke
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
#fight4rojava
Graffiti
Maternidades subversivas
María Llopis
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
Stories are developed in collective processes. They are pieced together from various perspectives, desires, and fears. In the Puppet Theater Workshop for children and youth offered by Florian Gass and Mirja Reuter an additional contributing factor is the wish to determine or interpret the course of events oneself. Taking place in conjunction with the 11th Berlin Biennale at the ExRotaprint complex, the workshop allows participating children and youth to construct puppets and stage sets as well as apparatuses to project shadows and images as well as fictions and illusions. A movable structure made of scenic components and screens provides a setting for new narratives to unfold on a daily basis. It also facilitates experimental play with the acts showing and concealing, since the participants enact the plays with their own bodies, voices, and self-built puppets.
Photos: Mathias Völzke
THE MOBILIZATION
Nicolás Cuello
Text
COVID-19 VIDEOS
Carlos Motta
Video
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
#fight4rojava
Graffiti
Freiheit für Chile!
Anonymous
Photo album
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
Stories are developed in collective processes. They are pieced together from various perspectives, desires, and fears. In the Puppet Theater Workshop for children and youth offered by Florian Gass and Mirja Reuter an additional contributing factor is the wish to determine or interpret the course of events oneself. Taking place in conjunction with the 11th Berlin Biennale at the ExRotaprint complex, the workshop allows participating children and youth to construct puppets and stage sets as well as apparatuses to project shadows and images as well as fictions and illusions. A movable structure made of scenic components and screens provides a setting for new narratives to unfold on a daily basis. It also facilitates experimental play with the acts showing and concealing, since the participants enact the plays with their own bodies, voices, and self-built puppets.
Photos: Mathias Völzke
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Glossary of Common Knowledge
L’Internationale Online
Glossary
Feminist Health Care Research Group
Web archive
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
#fight4rojava
Graffiti
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
Stories are developed in collective processes. They are pieced together from various perspectives, desires, and fears. In the Puppet Theater Workshop for children and youth offered by Florian Gass and Mirja Reuter an additional contributing factor is the wish to determine or interpret the course of events oneself. Taking place in conjunction with the 11th Berlin Biennale at the ExRotaprint complex, the workshop allows participating children and youth to construct puppets and stage sets as well as apparatuses to project shadows and images as well as fictions and illusions. A movable structure made of scenic components and screens provides a setting for new narratives to unfold on a daily basis. It also facilitates experimental play with the acts showing and concealing, since the participants enact the plays with their own bodies, voices, and self-built puppets.
Photos: Mathias Völzke
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Feminist Health Care Research Group
Web archive
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.