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exp. 1
exp. 2
exp. 3
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
COVID-19 VIDEOS
Carlos Motta
Video
Glossary of Common Knowledge
L’Internationale Online
Glossary
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Glossary of Common Knowledge
L’Internationale Online
Glossary
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
THE MOBILIZATION
Nicolás Cuello
Text
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
O Bailado do Deus Morto
Flávio de Carvalho
Play
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
THE MOBILIZATION
Nicolás Cuello
Text
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Freiheit für Chile!
Anonymous
Photo album
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
A World Without Bones
Agustín Pérez Rubio
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.