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exp. 1
exp. 2
exp. 3
Was part of: exp. 1
Léo Corrêa, „A meteorite on exhibit is seen inside the entrance of the National Museum after an overnight fire in Rio de Janeiro, Brazil, Monday, Sept. 3, 2018. Firefighters dug through the burned-out hulk of Brazil’s National Museum on Monday, a day after fire gutted the building, as the country mourned the irreplaceable treasures lost and pointed fingers over who was to blame.“, 3.9.2018, installation view, exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Lives and works in Rio de Janeiro, BR
On September 2, 2018, a fire razed the oldest scientific institution in Brazil to the ground. Thoroughly neglected and underfunded by government authorities for years, the Museu Nacional da Universidade do Rio de Janeiro, associated with the Federal University of Rio de Janeiro, was considered among the most important museums of natural history and anthropology in the Americas. In what way does such a fire mobilize our unconscious? How does it shape our imagined futures? The blaze ravaged not only the historical building but more devastatingly destroyed a still unknown yet significant amount of the twenty million objects held within. The widespread destruction caused irreversible damage to the museum’s documentary collections, including ethnological artifacts of the original inhabitants of the region, and recordings of languages no longer spoken. The Bendegó meteorite is among the very few survivors of the catastrophe.
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Glossary of Common Knowledge
L’Internationale Online
Glossary
Feminist Health Care Research Group
Web archive
Maternidades subversivas
María Llopis
Monograph
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1
Léo Corrêa, „A meteorite on exhibit is seen inside the entrance of the National Museum after an overnight fire in Rio de Janeiro, Brazil, Monday, Sept. 3, 2018. Firefighters dug through the burned-out hulk of Brazil’s National Museum on Monday, a day after fire gutted the building, as the country mourned the irreplaceable treasures lost and pointed fingers over who was to blame.“, 3.9.2018, installation view, exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Lives and works in Rio de Janeiro, BR
On September 2, 2018, a fire razed the oldest scientific institution in Brazil to the ground. Thoroughly neglected and underfunded by government authorities for years, the Museu Nacional da Universidade do Rio de Janeiro, associated with the Federal University of Rio de Janeiro, was considered among the most important museums of natural history and anthropology in the Americas. In what way does such a fire mobilize our unconscious? How does it shape our imagined futures? The blaze ravaged not only the historical building but more devastatingly destroyed a still unknown yet significant amount of the twenty million objects held within. The widespread destruction caused irreversible damage to the museum’s documentary collections, including ethnological artifacts of the original inhabitants of the region, and recordings of languages no longer spoken. The Bendegó meteorite is among the very few survivors of the catastrophe.
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
#fight4rojava
Graffiti
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Umbilical Cord Amulet
McCord Museum
Object
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1
Léo Corrêa, „A meteorite on exhibit is seen inside the entrance of the National Museum after an overnight fire in Rio de Janeiro, Brazil, Monday, Sept. 3, 2018. Firefighters dug through the burned-out hulk of Brazil’s National Museum on Monday, a day after fire gutted the building, as the country mourned the irreplaceable treasures lost and pointed fingers over who was to blame.“, 3.9.2018, installation view, exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Lives and works in Rio de Janeiro, BR
On September 2, 2018, a fire razed the oldest scientific institution in Brazil to the ground. Thoroughly neglected and underfunded by government authorities for years, the Museu Nacional da Universidade do Rio de Janeiro, associated with the Federal University of Rio de Janeiro, was considered among the most important museums of natural history and anthropology in the Americas. In what way does such a fire mobilize our unconscious? How does it shape our imagined futures? The blaze ravaged not only the historical building but more devastatingly destroyed a still unknown yet significant amount of the twenty million objects held within. The widespread destruction caused irreversible damage to the museum’s documentary collections, including ethnological artifacts of the original inhabitants of the region, and recordings of languages no longer spoken. The Bendegó meteorite is among the very few survivors of the catastrophe.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
#fight4rojava
Graffiti
Maternidades subversivas
María Llopis
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1
Léo Corrêa, „A meteorite on exhibit is seen inside the entrance of the National Museum after an overnight fire in Rio de Janeiro, Brazil, Monday, Sept. 3, 2018. Firefighters dug through the burned-out hulk of Brazil’s National Museum on Monday, a day after fire gutted the building, as the country mourned the irreplaceable treasures lost and pointed fingers over who was to blame.“, 3.9.2018, installation view, exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Lives and works in Rio de Janeiro, BR
On September 2, 2018, a fire razed the oldest scientific institution in Brazil to the ground. Thoroughly neglected and underfunded by government authorities for years, the Museu Nacional da Universidade do Rio de Janeiro, associated with the Federal University of Rio de Janeiro, was considered among the most important museums of natural history and anthropology in the Americas. In what way does such a fire mobilize our unconscious? How does it shape our imagined futures? The blaze ravaged not only the historical building but more devastatingly destroyed a still unknown yet significant amount of the twenty million objects held within. The widespread destruction caused irreversible damage to the museum’s documentary collections, including ethnological artifacts of the original inhabitants of the region, and recordings of languages no longer spoken. The Bendegó meteorite is among the very few survivors of the catastrophe.
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
#fight4rojava
Graffiti
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Feminist Health Care Research Group
Web archive
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.