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Venue: KW Institute for Contemporary Art
Founded 2013 in Barcelona, ES
Investigating queer ancestry and history, the Barcelona-based art collective El Palomar was formed in 2013 by Mariokissme and R. Marcos Mota and has since developed a shared practice that debunks authorship and reorganizes art as a critical space of sex and gender dissidence.
Their installation Schreber is a Woman (2020) departs from the case and memoirs of Daniel Paul Schreber, a German judge confined to the Sonnenstein mental asylum in Saxony in 1894. In his Memoirs of My Nervous Illness from 1903, he recounts feeling like a woman, among other experiences. Schreber’s text influenced Sigmund Freud and helped him to elaborate his theories on paranoia and schizophrenia. Relevant to Schreber’s story is the fact that his father, Dr. Moritz Schreber (1808–61), authored several books that proposed strict authoritarian models for the physical and moral education of children, which were very popular in Germany and other parts of Europe at the turn of the nineteenth century. This family history helps explain why Daniel Paul Schreber’s text was seminal to postwar analyses of authoritarianism by poststructural philosophers and writers such as Elias Canetti (Crowds and Power, 1960).
El Palomar uncover and reinterpret the experience and writings of Schreber from a transfeminist perspective that resists concepts of confinement and exclusion, of domestication and control; they deconstruct the Freudian link between Schreber and schizoprenic paranoia from a queer viewpoint. Focusing on the images and sounds that Schreber describes in his memoirs, the installation offers a rereading of the case as rooted in a period when gender identities were restricted to classical binary archetypes. Schreber is a Woman subverts the original circumstances of queer lineage, recontextualizing gender and pleasure in the present.
Amelia Bande
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Maternidades subversivas
María Llopis
Monograph
Hatred Among Us
Lisette Lagnado
Essay
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
O Bailado do Deus Morto
Flávio de Carvalho
Play
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Venue: KW Institute for Contemporary Art
Founded 2013 in Barcelona, ES
Investigating queer ancestry and history, the Barcelona-based art collective El Palomar was formed in 2013 by Mariokissme and R. Marcos Mota and has since developed a shared practice that debunks authorship and reorganizes art as a critical space of sex and gender dissidence.
Their installation Schreber is a Woman (2020) departs from the case and memoirs of Daniel Paul Schreber, a German judge confined to the Sonnenstein mental asylum in Saxony in 1894. In his Memoirs of My Nervous Illness from 1903, he recounts feeling like a woman, among other experiences. Schreber’s text influenced Sigmund Freud and helped him to elaborate his theories on paranoia and schizophrenia. Relevant to Schreber’s story is the fact that his father, Dr. Moritz Schreber (1808–61), authored several books that proposed strict authoritarian models for the physical and moral education of children, which were very popular in Germany and other parts of Europe at the turn of the nineteenth century. This family history helps explain why Daniel Paul Schreber’s text was seminal to postwar analyses of authoritarianism by poststructural philosophers and writers such as Elias Canetti (Crowds and Power, 1960).
El Palomar uncover and reinterpret the experience and writings of Schreber from a transfeminist perspective that resists concepts of confinement and exclusion, of domestication and control; they deconstruct the Freudian link between Schreber and schizoprenic paranoia from a queer viewpoint. Focusing on the images and sounds that Schreber describes in his memoirs, the installation offers a rereading of the case as rooted in a period when gender identities were restricted to classical binary archetypes. Schreber is a Woman subverts the original circumstances of queer lineage, recontextualizing gender and pleasure in the present.
Amelia Bande
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Founded 2013 in Barcelona, ES
Investigating queer ancestry and history, the Barcelona-based art collective El Palomar was formed in 2013 by Mariokissme and R. Marcos Mota and has since developed a shared practice that debunks authorship and reorganizes art as a critical space of sex and gender dissidence.
Their installation Schreber is a Woman (2020) departs from the case and memoirs of Daniel Paul Schreber, a German judge confined to the Sonnenstein mental asylum in Saxony in 1894. In his Memoirs of My Nervous Illness from 1903, he recounts feeling like a woman, among other experiences. Schreber’s text influenced Sigmund Freud and helped him to elaborate his theories on paranoia and schizophrenia. Relevant to Schreber’s story is the fact that his father, Dr. Moritz Schreber (1808–61), authored several books that proposed strict authoritarian models for the physical and moral education of children, which were very popular in Germany and other parts of Europe at the turn of the nineteenth century. This family history helps explain why Daniel Paul Schreber’s text was seminal to postwar analyses of authoritarianism by poststructural philosophers and writers such as Elias Canetti (Crowds and Power, 1960).
El Palomar uncover and reinterpret the experience and writings of Schreber from a transfeminist perspective that resists concepts of confinement and exclusion, of domestication and control; they deconstruct the Freudian link between Schreber and schizoprenic paranoia from a queer viewpoint. Focusing on the images and sounds that Schreber describes in his memoirs, the installation offers a rereading of the case as rooted in a period when gender identities were restricted to classical binary archetypes. Schreber is a Woman subverts the original circumstances of queer lineage, recontextualizing gender and pleasure in the present.
Amelia Bande
Freiheit für Chile!
Anonymous
Photo album
Teatro da Vertigem
Monograph
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Founded 2013 in Barcelona, ES
Investigating queer ancestry and history, the Barcelona-based art collective El Palomar was formed in 2013 by Mariokissme and R. Marcos Mota and has since developed a shared practice that debunks authorship and reorganizes art as a critical space of sex and gender dissidence.
Their installation Schreber is a Woman (2020) departs from the case and memoirs of Daniel Paul Schreber, a German judge confined to the Sonnenstein mental asylum in Saxony in 1894. In his Memoirs of My Nervous Illness from 1903, he recounts feeling like a woman, among other experiences. Schreber’s text influenced Sigmund Freud and helped him to elaborate his theories on paranoia and schizophrenia. Relevant to Schreber’s story is the fact that his father, Dr. Moritz Schreber (1808–61), authored several books that proposed strict authoritarian models for the physical and moral education of children, which were very popular in Germany and other parts of Europe at the turn of the nineteenth century. This family history helps explain why Daniel Paul Schreber’s text was seminal to postwar analyses of authoritarianism by poststructural philosophers and writers such as Elias Canetti (Crowds and Power, 1960).
El Palomar uncover and reinterpret the experience and writings of Schreber from a transfeminist perspective that resists concepts of confinement and exclusion, of domestication and control; they deconstruct the Freudian link between Schreber and schizoprenic paranoia from a queer viewpoint. Focusing on the images and sounds that Schreber describes in his memoirs, the installation offers a rereading of the case as rooted in a period when gender identities were restricted to classical binary archetypes. Schreber is a Woman subverts the original circumstances of queer lineage, recontextualizing gender and pleasure in the present.
Amelia Bande
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
THE MOBILIZATION
Nicolás Cuello
Text
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.