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exp. 1
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exp. 3
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Thursday, 31.10.2019
7 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In German
Free admission, limited capacity
Share: Facebook
Die Remise with Miriam Schickler, Ayşe Güleç, Carmen Mörsch, Das Archiv schweigt (oder doch nicht)?, installation view (detail), Nürtingen elementary school, Berlin, 2019, photo: Maja Wirkus
In 2018 Miriam Schickler reviewed the written archive of the Nürtingen elementary school in today’s Berlin-Kreuzberg with a special focus on the history of migration. The archive consists of the school chronicle beginning in 1945 and conference minutes from the 1950s to the 1970s. These are testimonies of the majority society, which are informative in regard to dominant delineations of the migrant “other.” The voices of those who are talked about do not appear: people who came to the primary school as “foreign” school children from the 1960s onwards, who represented 80 percent of the school children from the 1970s, and whose children and grandchildren continue to attend the Nürtingen elementary school today.
In order to activate the Nürtingen archive, Çiçek Bacık and Miriam Schickler invite various protagonists. They fill the gaps in the archive with their own positioning and experience. From their working practice, they talk about continuities and discontinuities in the discourses on racism in Berlin schools. Which discourses prevail in regard to the children of migrant workers? What role did the school authorities and local politics play? What were the attitudes of educators and school administrators towards racism in schools at the time? How do they position themselves today against increasing incidents of discrimination at the school and in the battle against racism?
More events with die Remise:
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Umbilical Cord Amulet
McCord Museum
Object
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
I: Junto a las curadoras de la XI Berlin ...
Renata Cervetto, Lisette Lagnado
Conversation
Glossary of Common Knowledge
L’Internationale Online
Glossary
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
COVID-19 VIDEOS
Carlos Motta
Video
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Flávio de Carvalho wearing the New Look and walking on the streets of São Paulo, Experiência no. 3, 1956, courtesy the heirs of Flávio de Carvalho; Fundo Flávio de Carvalho/CEDAE-UNICAMP, Campinas
New Look
Flávio de Carvalho
Performance
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Thursday, 31.10.2019
7 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In German
Free admission, limited capacity
Share: Facebook
Die Remise with Miriam Schickler, Ayşe Güleç, Carmen Mörsch, Das Archiv schweigt (oder doch nicht)?, installation view (detail), Nürtingen elementary school, Berlin, 2019, photo: Maja Wirkus
In 2018 Miriam Schickler reviewed the written archive of the Nürtingen elementary school in today’s Berlin-Kreuzberg with a special focus on the history of migration. The archive consists of the school chronicle beginning in 1945 and conference minutes from the 1950s to the 1970s. These are testimonies of the majority society, which are informative in regard to dominant delineations of the migrant “other.” The voices of those who are talked about do not appear: people who came to the primary school as “foreign” school children from the 1960s onwards, who represented 80 percent of the school children from the 1970s, and whose children and grandchildren continue to attend the Nürtingen elementary school today.
In order to activate the Nürtingen archive, Çiçek Bacık and Miriam Schickler invite various protagonists. They fill the gaps in the archive with their own positioning and experience. From their working practice, they talk about continuities and discontinuities in the discourses on racism in Berlin schools. Which discourses prevail in regard to the children of migrant workers? What role did the school authorities and local politics play? What were the attitudes of educators and school administrators towards racism in schools at the time? How do they position themselves today against increasing incidents of discrimination at the school and in the battle against racism?
More events with die Remise:
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Glossary of Common Knowledge
L’Internationale Online
Glossary
Umbilical Cord Amulet
McCord Museum
Object
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
I: Junto a las curadoras de la XI Berlin ...
Renata Cervetto, Lisette Lagnado
Conversation
THE MOBILIZATION
Nicolás Cuello
Text
Hatred Among Us
Lisette Lagnado
Essay
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Glossary of Common Knowledge
L’Internationale Online
Glossary
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Thursday, 31.10.2019
7 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In German
Free admission, limited capacity
Share: Facebook
Die Remise with Miriam Schickler, Ayşe Güleç, Carmen Mörsch, Das Archiv schweigt (oder doch nicht)?, installation view (detail), Nürtingen elementary school, Berlin, 2019, photo: Maja Wirkus
In 2018 Miriam Schickler reviewed the written archive of the Nürtingen elementary school in today’s Berlin-Kreuzberg with a special focus on the history of migration. The archive consists of the school chronicle beginning in 1945 and conference minutes from the 1950s to the 1970s. These are testimonies of the majority society, which are informative in regard to dominant delineations of the migrant “other.” The voices of those who are talked about do not appear: people who came to the primary school as “foreign” school children from the 1960s onwards, who represented 80 percent of the school children from the 1970s, and whose children and grandchildren continue to attend the Nürtingen elementary school today.
In order to activate the Nürtingen archive, Çiçek Bacık and Miriam Schickler invite various protagonists. They fill the gaps in the archive with their own positioning and experience. From their working practice, they talk about continuities and discontinuities in the discourses on racism in Berlin schools. Which discourses prevail in regard to the children of migrant workers? What role did the school authorities and local politics play? What were the attitudes of educators and school administrators towards racism in schools at the time? How do they position themselves today against increasing incidents of discrimination at the school and in the battle against racism?
More events with die Remise:
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Umbilical Cord Amulet
McCord Museum
Object
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Memorial to the Sinti and Roma of Europe murdered under National Socialism, Berlin, photos: Alex Ostojski
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
A World Without Bones
Agustín Pérez Rubio
Glossary of Common Knowledge
L’Internationale Online
Glossary
COVID-19 VIDEOS
Carlos Motta
Video
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Thursday, 31.10.2019
7 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In German
Free admission, limited capacity
Share: Facebook
Die Remise with Miriam Schickler, Ayşe Güleç, Carmen Mörsch, Das Archiv schweigt (oder doch nicht)?, installation view (detail), Nürtingen elementary school, Berlin, 2019, photo: Maja Wirkus
In 2018 Miriam Schickler reviewed the written archive of the Nürtingen elementary school in today’s Berlin-Kreuzberg with a special focus on the history of migration. The archive consists of the school chronicle beginning in 1945 and conference minutes from the 1950s to the 1970s. These are testimonies of the majority society, which are informative in regard to dominant delineations of the migrant “other.” The voices of those who are talked about do not appear: people who came to the primary school as “foreign” school children from the 1960s onwards, who represented 80 percent of the school children from the 1970s, and whose children and grandchildren continue to attend the Nürtingen elementary school today.
In order to activate the Nürtingen archive, Çiçek Bacık and Miriam Schickler invite various protagonists. They fill the gaps in the archive with their own positioning and experience. From their working practice, they talk about continuities and discontinuities in the discourses on racism in Berlin schools. Which discourses prevail in regard to the children of migrant workers? What role did the school authorities and local politics play? What were the attitudes of educators and school administrators towards racism in schools at the time? How do they position themselves today against increasing incidents of discrimination at the school and in the battle against racism?
More events with die Remise:
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Glossary of Common Knowledge
L’Internationale Online
Glossary
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Umbilical Cord Amulet
McCord Museum
Object
I: Junto a las curadoras de la XI Berlin ...
Renata Cervetto, Lisette Lagnado
Conversation
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
COVID-19 VIDEOS
Carlos Motta
Video
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Glossary of Common Knowledge
L’Internationale Online
Glossary
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.