Sign up for our newsletters. You can change the settings or unsubscribe at any time.
Thank you for your subscription. We have sent you an e-mail with a confirmation link.
exp. 1
exp. 2
exp. 3
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
O Bailado do Deus Morto
Flávio de Carvalho
Play
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
O Bailado do Deus Morto
Flávio de Carvalho
Play
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
#fight4rojava
Graffiti
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Freiheit für Chile!
Anonymous
Photo album
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.