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Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.9.2019
5–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
Free admission
Share: Facebook
Materials for the visual identity of the 11th Berlin Biennale, photo: Till Gathmann
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
O Bailado do Deus Morto
Flávio de Carvalho
Play
Memorial to the Sinti and Roma of Europe murdered under National Socialism, Berlin, photos: Alex Ostojski
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Maternidades subversivas
María Llopis
Monograph
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.9.2019
5–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
Free admission
Share: Facebook
Materials for the visual identity of the 11th Berlin Biennale, photo: Till Gathmann
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Feminist Health Care Research Group
Web archive
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Memorial to the Sinti and Roma of Europe murdered under National Socialism, Berlin, photos: Alex Ostojski
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.9.2019
5–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
Free admission
Share: Facebook
Materials for the visual identity of the 11th Berlin Biennale, photo: Till Gathmann
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
O Bailado do Deus Morto
Flávio de Carvalho
Play
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Hatred Among Us
Lisette Lagnado
Essay
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Rereading: A Critical Diversity Textbook Workshop, Die Remise – activation by Aïcha Diallo and Annika Niemann, 11th Berlin Biennale c/o ExRotaprint, 7.11.2019, photo: Victoria Tomaschko
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Cecilia Vicuña, Sol-y-dar-y-dad [To Give and Give Sun], a vision of solidarity in words and song, 20.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mapa Teatro, The Moon is in the Amazon, lecture performance, 28.9.2019, 11th Berlin Biennale c/o ExRotaprint, still from the video documentation, camera: Thabo Thindi
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
exp. 1: The Bones of the World, installation view, 11th Berlin Biennale c/o ExRotaprint, 7.9.–9.11.2019, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
Mirja Reuter and Florian Gass, Stories in Motion, 2019, workshop within the framework of exp. 1: The Bones of the World, 11th Berlin Biennale c/o ExRotaprint, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.9.2019
5–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
Free admission
Share: Facebook
Materials for the visual identity of the 11th Berlin Biennale, photo: Till Gathmann
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Memorial to the Sinti and Roma of Europe murdered under National Socialism, Berlin, photos: Alex Ostojski
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
COVID-19 VIDEOS
Carlos Motta
Video
St Sara Kali George
Delaine Le Bas
Soundscape
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.