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exp. 1
exp. 2
exp. 3
Wednesday, 29.4.2020– Tuesday, 5.5.2020
RSVP required
11th Berlin Biennale on Instagram
Free admission
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Within the context of his contribution to exp. 3, Osías Yanov had planned a workshop of action and movement, created for those who want to explore individual awareness processes as part of a group. It was a proposal to investigate the forces and strategies that we use when pursuing something of an unknown character. Through group exercises, using salt as a substance and mapping element and spoons as tools for spreading and transferring heat, participants were to express themselves physically. The intimacy of a group exercise cannot be substituted. Nevertheless, Osías Yanov has created a contribution to the digital space (Berlin Biennale on Instagram) in images and texts to invite us to become immersed in his work and practice. Over the course of seven days, he will open his archives to share glimpses into essays, his research, and experiences.
“Reading this contribution in the current situation unveils a completely new meaning in Osías’s work. Now it seems to describe a utopic future scenario of bonding anew or reconnecting. How much we miss the human touch, the closeness to one another, the desire to go back to that state. How can we find ourselves after months of isolation? What will these actions described by Osías mean in our world next year? I also feel that human touch is a way of touching the earth, becoming grounded, connecting with oneself. The detachment of bodies and complete uncertainty provokes, at least for me, the feeling of being on a roller coaster where your heart beats faster and anxiety never stops. It is like this is the new way of being until we find a way to become grounded again.” (Renata Cervetto, curator)
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Teatro da Vertigem
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Hatred Among Us
Lisette Lagnado
Essay
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Wednesday, 29.4.2020– Tuesday, 5.5.2020
RSVP required
11th Berlin Biennale on Instagram
Free admission
Share: Facebook
Within the context of his contribution to exp. 3, Osías Yanov had planned a workshop of action and movement, created for those who want to explore individual awareness processes as part of a group. It was a proposal to investigate the forces and strategies that we use when pursuing something of an unknown character. Through group exercises, using salt as a substance and mapping element and spoons as tools for spreading and transferring heat, participants were to express themselves physically. The intimacy of a group exercise cannot be substituted. Nevertheless, Osías Yanov has created a contribution to the digital space (Berlin Biennale on Instagram) in images and texts to invite us to become immersed in his work and practice. Over the course of seven days, he will open his archives to share glimpses into essays, his research, and experiences.
“Reading this contribution in the current situation unveils a completely new meaning in Osías’s work. Now it seems to describe a utopic future scenario of bonding anew or reconnecting. How much we miss the human touch, the closeness to one another, the desire to go back to that state. How can we find ourselves after months of isolation? What will these actions described by Osías mean in our world next year? I also feel that human touch is a way of touching the earth, becoming grounded, connecting with oneself. The detachment of bodies and complete uncertainty provokes, at least for me, the feeling of being on a roller coaster where your heart beats faster and anxiety never stops. It is like this is the new way of being until we find a way to become grounded again.” (Renata Cervetto, curator)
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Teatro da Vertigem
Monograph
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Wednesday, 29.4.2020– Tuesday, 5.5.2020
RSVP required
11th Berlin Biennale on Instagram
Free admission
Share: Facebook
Within the context of his contribution to exp. 3, Osías Yanov had planned a workshop of action and movement, created for those who want to explore individual awareness processes as part of a group. It was a proposal to investigate the forces and strategies that we use when pursuing something of an unknown character. Through group exercises, using salt as a substance and mapping element and spoons as tools for spreading and transferring heat, participants were to express themselves physically. The intimacy of a group exercise cannot be substituted. Nevertheless, Osías Yanov has created a contribution to the digital space (Berlin Biennale on Instagram) in images and texts to invite us to become immersed in his work and practice. Over the course of seven days, he will open his archives to share glimpses into essays, his research, and experiences.
“Reading this contribution in the current situation unveils a completely new meaning in Osías’s work. Now it seems to describe a utopic future scenario of bonding anew or reconnecting. How much we miss the human touch, the closeness to one another, the desire to go back to that state. How can we find ourselves after months of isolation? What will these actions described by Osías mean in our world next year? I also feel that human touch is a way of touching the earth, becoming grounded, connecting with oneself. The detachment of bodies and complete uncertainty provokes, at least for me, the feeling of being on a roller coaster where your heart beats faster and anxiety never stops. It is like this is the new way of being until we find a way to become grounded again.” (Renata Cervetto, curator)
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
New Look
Flávio de Carvalho
Performance
THE MOBILIZATION
Nicolás Cuello
Text
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Wednesday, 29.4.2020– Tuesday, 5.5.2020
RSVP required
11th Berlin Biennale on Instagram
Free admission
Share: Facebook
Within the context of his contribution to exp. 3, Osías Yanov had planned a workshop of action and movement, created for those who want to explore individual awareness processes as part of a group. It was a proposal to investigate the forces and strategies that we use when pursuing something of an unknown character. Through group exercises, using salt as a substance and mapping element and spoons as tools for spreading and transferring heat, participants were to express themselves physically. The intimacy of a group exercise cannot be substituted. Nevertheless, Osías Yanov has created a contribution to the digital space (Berlin Biennale on Instagram) in images and texts to invite us to become immersed in his work and practice. Over the course of seven days, he will open his archives to share glimpses into essays, his research, and experiences.
“Reading this contribution in the current situation unveils a completely new meaning in Osías’s work. Now it seems to describe a utopic future scenario of bonding anew or reconnecting. How much we miss the human touch, the closeness to one another, the desire to go back to that state. How can we find ourselves after months of isolation? What will these actions described by Osías mean in our world next year? I also feel that human touch is a way of touching the earth, becoming grounded, connecting with oneself. The detachment of bodies and complete uncertainty provokes, at least for me, the feeling of being on a roller coaster where your heart beats faster and anxiety never stops. It is like this is the new way of being until we find a way to become grounded again.” (Renata Cervetto, curator)
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
O Bailado do Deus Morto
Flávio de Carvalho
Play
THE MOBILIZATION
Nicolás Cuello
Text
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.