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Friday, 28.2.2020
7–9 pm
RSVP required
In German
Free admission, limited capacity
Share: Facebook
Sinthujan Varatharajah explores issues of forced displacement, statelessness, and spatial inequalities, particularly those of Eelam Tamil people. “All that is left of us are shadows, for many, not even these shadows are meant to be ours.” By centering a displaced and marginalized people, he brings forth their forgotten stories by, quite literally, placing them on the map of Berlin. Varatharajah uses oral and visual memories to render the German capital into a Tamil city, an extension of a lost territory. He asks: “Can a city hold and belong to more than a singular history and people? And what does it mean for a stateless people to shape and create new spaces within others’ nation-states?” In his work, Varatharajah reads Berlin through the flight movements of a traumatized people through what was then, in the 1980s, a divided city. His living archive interrogates the many struggles for a people without sovereignty over land (and bodies) to mark spaces across different political regimes and to build as well as maintain stable archives. By investigating the many silences and absences within records of history, his archive challenges national memorialization cultures and seeks new meanings in old places.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
New Look
Flávio de Carvalho
Performance
Glossary of Common Knowledge
L’Internationale Online
Glossary
A Moment of True Decolonization / Episode #6: Sinthujan ...
The Funambulist / Sinthujan Varatharajah
Podcast
II: La Solidaridad va Más Allá de un Concepto. ...
Lisette Lagnado, Agustín Pérez Rubio
Conversation
O Bailado do Deus Morto
Flávio de Carvalho
Play
Umbilical Cord Amulet
McCord Museum
Object
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
#fight4rojava
Graffiti
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Teatro da Vertigem
Monograph
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Friday, 28.2.2020
7–9 pm
RSVP required
In German
Free admission, limited capacity
Share: Facebook
Sinthujan Varatharajah explores issues of forced displacement, statelessness, and spatial inequalities, particularly those of Eelam Tamil people. “All that is left of us are shadows, for many, not even these shadows are meant to be ours.” By centering a displaced and marginalized people, he brings forth their forgotten stories by, quite literally, placing them on the map of Berlin. Varatharajah uses oral and visual memories to render the German capital into a Tamil city, an extension of a lost territory. He asks: “Can a city hold and belong to more than a singular history and people? And what does it mean for a stateless people to shape and create new spaces within others’ nation-states?” In his work, Varatharajah reads Berlin through the flight movements of a traumatized people through what was then, in the 1980s, a divided city. His living archive interrogates the many struggles for a people without sovereignty over land (and bodies) to mark spaces across different political regimes and to build as well as maintain stable archives. By investigating the many silences and absences within records of history, his archive challenges national memorialization cultures and seeks new meanings in old places.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
O Bailado do Deus Morto
Flávio de Carvalho
Play
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
COVID-19 VIDEOS
Carlos Motta
Video
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
St Sara Kali George
Delaine Le Bas
Soundscape
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Hatred Among Us
Lisette Lagnado
Essay
#fight4rojava
Graffiti
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
New Look
Flávio de Carvalho
Performance
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Friday, 28.2.2020
7–9 pm
RSVP required
In German
Free admission, limited capacity
Share: Facebook
Sinthujan Varatharajah explores issues of forced displacement, statelessness, and spatial inequalities, particularly those of Eelam Tamil people. “All that is left of us are shadows, for many, not even these shadows are meant to be ours.” By centering a displaced and marginalized people, he brings forth their forgotten stories by, quite literally, placing them on the map of Berlin. Varatharajah uses oral and visual memories to render the German capital into a Tamil city, an extension of a lost territory. He asks: “Can a city hold and belong to more than a singular history and people? And what does it mean for a stateless people to shape and create new spaces within others’ nation-states?” In his work, Varatharajah reads Berlin through the flight movements of a traumatized people through what was then, in the 1980s, a divided city. His living archive interrogates the many struggles for a people without sovereignty over land (and bodies) to mark spaces across different political regimes and to build as well as maintain stable archives. By investigating the many silences and absences within records of history, his archive challenges national memorialization cultures and seeks new meanings in old places.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Umbilical Cord Amulet
McCord Museum
Object
COVID-19 VIDEOS
Carlos Motta
Video
Maternidades subversivas
María Llopis
Monograph
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
O Bailado do Deus Morto
Flávio de Carvalho
Play
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Teatro da Vertigem
Monograph
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Friday, 28.2.2020
7–9 pm
RSVP required
In German
Free admission, limited capacity
Share: Facebook
Sinthujan Varatharajah explores issues of forced displacement, statelessness, and spatial inequalities, particularly those of Eelam Tamil people. “All that is left of us are shadows, for many, not even these shadows are meant to be ours.” By centering a displaced and marginalized people, he brings forth their forgotten stories by, quite literally, placing them on the map of Berlin. Varatharajah uses oral and visual memories to render the German capital into a Tamil city, an extension of a lost territory. He asks: “Can a city hold and belong to more than a singular history and people? And what does it mean for a stateless people to shape and create new spaces within others’ nation-states?” In his work, Varatharajah reads Berlin through the flight movements of a traumatized people through what was then, in the 1980s, a divided city. His living archive interrogates the many struggles for a people without sovereignty over land (and bodies) to mark spaces across different political regimes and to build as well as maintain stable archives. By investigating the many silences and absences within records of history, his archive challenges national memorialization cultures and seeks new meanings in old places.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Umbilical Cord Amulet
McCord Museum
Object
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
Glossary of Common Knowledge
L’Internationale Online
Glossary
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
COVID-19 VIDEOS
Carlos Motta
Video
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.