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Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
II: La Solidaridad va Más Allá de un Concepto. ...
Lisette Lagnado, Agustín Pérez Rubio
Conversation
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
I: Junto a las curadoras de la XI Berlin ...
Renata Cervetto, Lisette Lagnado
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
THE MOBILIZATION
Nicolás Cuello
Text
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Género y colonialidad en busca de claves de lectura ...
Rita Segato
Essay
IV: How Fear Can Dismantle a Body. Vis-a-Vis with ...
María Berríos, Lisette Lagnado
Conversation
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Glossary of Common Knowledge
L’Internationale Online
Glossary
Memorial to the Sinti and Roma of Europe murdered under National Socialism, Berlin, photos: Alex Ostojski
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
THE MOBILIZATION
Nicolás Cuello
Text
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
New Look
Flávio de Carvalho
Performance
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
O Bailado do Deus Morto
Flávio de Carvalho
Play
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Umbilical Cord Amulet
McCord Museum
Object
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
III: La familia son quiénes se alegran con nuestros ...
María Berríos, Agustín Pérez Rubio
Conversation
St Sara Kali George
Delaine Le Bas
Soundscape
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
#fight4rojava
Graffiti
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.