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Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Maternidades subversivas
María Llopis
Monograph
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Género y colonialidad en busca de claves de lectura ...
Rita Segato
Essay
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Umbilical Cord Amulet
McCord Museum
Object
#fight4rojava
Graffiti
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
St Sara Kali George
Delaine Le Bas
Soundscape
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
New Look
Flávio de Carvalho
Performance
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
#fight4rojava
Graffiti
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Flávio de Carvalho wearing the New Look and walking on the streets of São Paulo, Experiência no. 3, 1956, courtesy the heirs of Flávio de Carvalho; Fundo Flávio de Carvalho/CEDAE-UNICAMP, Campinas
New Look
Flávio de Carvalho
Performance
A World Without Bones
Agustín Pérez Rubio
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Glossary of Common Knowledge
L’Internationale Online
Glossary
Hatred Among Us
Lisette Lagnado
Essay
COVID-19 VIDEOS
Carlos Motta
Video
IV: How Fear Can Dismantle a Body. Vis-a-Vis with ...
María Berríos, Lisette Lagnado
Conversation
Maternidades subversivas
María Llopis
Monograph
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Freiheit für Chile!
Anonymous
Photo album
COVID-19 VIDEOS
Carlos Motta
Video
THE MOBILIZATION
Nicolás Cuello
Text
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Left: Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov; right: courtesy Sinthujan Varatharajah
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
From left to right: Photograph of an Eelam-Tamil protest against the Tamil genocide in front of the Gedächtniskirche in West Berlin (1986). Wedding saris of a newly-married Tamil young bride from Jaffna, Eelam (1984), photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 2019, photo: Daniela Brahm
Friday, 6.3.2020
7–9 pm
RSVP required
11th Berlin Biennale c/o ExRotaprint
Bornemannstraße 9
In English
Free admission, limited capacity
Share: Facebook
Osías Yanov, Manifestación [Demonstration], 2020, courtesy Osías Yanov
Artist and educator Osías Yanov draws on cultural objects and memories that affect our bodily ways of being in the world and with each other. His works intertwine rituals, nocturnal parties, gender theories, esoteric philosophies, symmetrical contacts between technology and nature, and the erotic as a transforming force.
On the occasion of exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, the artist will present his practice, which continuously uses play and the language of bodies in motion to disarticulate stereotypes—excavating the body and queering it into a source of archaic meaning. In dialogue with curators Renata Cervetto and Agustín Peréz Rubio, Yanov will reflect on his project presented in the context of the 11th Berlin Biennale for Contemporary Art, conceived as an immersive experience that resorts to the use of scale: the scale of the possible and the local, the scale of the hand, and the playful scale as a process of subjectivation, which may then be transferred into everyday gestures.
Based in Buenos Aires, Osías Yanov is currently part of the DAAD Artists-in-Berlin program. His recent solo projects include Dinámica de Encaje (Galería Inmigrante, Buenos Aires, 2012), VI Sesión en el Parlamento (MALBA, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, 2015), Crisis (Casa del Alabado, Quito, 2016), and Coreografías de Sal (Faena Art Center, Buenos Aires, 2019).
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
I: Junto a las curadoras de la XI Berlin ...
Renata Cervetto, Lisette Lagnado
Conversation
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
THE MOBILIZATION
Nicolás Cuello
Text
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
St Sara Kali George
Delaine Le Bas
Soundscape
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Feminist Health Care Research Group
Web archive
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.