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Documentation
The Crack Begins Within
UNFURL: a lucid sci-fi opera is a performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Kamera: Martin Gajc, Stefan Wagner
O Bailado do Deus Morto
Flávio de Carvalho
Play
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
UNFURL: a lucid sci-fi opera is a performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Kamera: Martin Gajc, Stefan Wagner
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
#fight4rojava
Graffiti
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
COVID-19 VIDEOS
Carlos Motta
Video
St Sara Kali George
Delaine Le Bas
Soundscape
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
UNFURL: a lucid sci-fi opera is a performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Kamera: Martin Gajc, Stefan Wagner
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
UNFURL: a lucid sci-fi opera is a performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Kamera: Martin Gajc, Stefan Wagner
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Teatro da Vertigem
Monograph
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Maternidades subversivas
María Llopis
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.