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Documentation
The Crack Begins Within
A performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Camera: Martin Gajc, Stefan Wagner
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Feminist Health Care Research Group
Web archive
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
A performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Camera: Martin Gajc, Stefan Wagner
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Hatred Among Us
Lisette Lagnado
Essay
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
A performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Camera: Martin Gajc, Stefan Wagner
St Sara Kali George
Delaine Le Bas
Soundscape
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Freiheit für Chile!
Anonymous
Photo album
Feminist Health Care Research Group
Web archive
O Bailado do Deus Morto
Flávio de Carvalho
Play
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
A performance by Emma Howes and Justin Kennedy in collaboration with Balz Isler, music composition by Ethan Braun and Nkisi, costumes by Beate Huss
Grappling with themes of death, apocalypse, and repression of life-source, UNFURL: a lucid sci-fi opera brings together beatboxing and trance rave and beams the public through the story of Empress Alberta and her reflections, transmitted along the Fungoozian Network. The concert is a loud contemplation on darkness, set on Etherland, a mythical planet where songs and movement are vehicles for transforming loss of life and its aftermath. Costumes use a color and prop code system, like military uniforms. In this case, though, clothing is used like a second skin to flip inside out, to hide and alter. These transfigurations are the mocking shadows of war, folding and unfolding. Here, the organic qualities of a bio-world mold and mutate, from person to tree to spirit and automated androidgyny. This is a spiritual and collective expansion of consciousness—ecstatic and spontaneous choreographies that make it possible to connect with other beings. (Amelia Bande)
The Canadian participation at the 11th Berlin Biennale is part of Canada’s culture program as Guest of Honour at the Frankfurt Book Fair. It is supported by the Canada Council for the Arts and the Government of Canada.
Camera: Martin Gajc, Stefan Wagner
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
O Bailado do Deus Morto
Flávio de Carvalho
Play
Glossary of Common Knowledge
L’Internationale Online
Glossary
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
COVID-19 VIDEOS
Carlos Motta
Video
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.