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Documentation
The Crack Begins Within
Live performances by Bartolina Xixa and Carlos Motta in collaboration with Simon(e) Jaikiriuma Paetau and Isabel Gonzalez Toro (sound design) and a prerecorded presentation by Naomi Rincón Gallardo, moderated by Agustín Pérez Rubio
The 11th Berlin Biennale’s final gathering aims to move away from Western philosophy and cultural theory’s understandings of death and mourning. It emphasizes themes of death, mourning, and life after death from a queer perspective, using a critique of norms, questioning ontologies, epistemologies, and ethics, as well as bio and necropolitical agendas, based on the works of the artists presented in the 11th Berlin Biennale exhibition.
Taking into consideration that for Indigenous peoples death has been life’s silent companion since the start of the colonial conquest, these artistic interventions attempt to critique discourses on death and mourning associated with heteronormative models of familial bonds, chronological lifestyles, norms for intergenerational relationships, and “adequate” responses to biopolitical regimes of health and life. They delve into the cultural ties that Indigenous peoples have maintained in their understanding of mourning as a form of both cultural expression and struggle, and, in this sense, broaden the spectrum of the sexo-dissident struggle, understood as bodies that are battlegrounds and decolonial resistance beyond their mortality.
Camera and editing: Frank Sperling
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
THE MOBILIZATION
Nicolás Cuello
Text
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
Live performances by Bartolina Xixa and Carlos Motta in collaboration with Simon(e) Jaikiriuma Paetau and Isabel Gonzalez Toro (sound design) and a prerecorded presentation by Naomi Rincón Gallardo, moderated by Agustín Pérez Rubio
The 11th Berlin Biennale’s final gathering aims to move away from Western philosophy and cultural theory’s understandings of death and mourning. It emphasizes themes of death, mourning, and life after death from a queer perspective, using a critique of norms, questioning ontologies, epistemologies, and ethics, as well as bio and necropolitical agendas, based on the works of the artists presented in the 11th Berlin Biennale exhibition.
Taking into consideration that for Indigenous peoples death has been life’s silent companion since the start of the colonial conquest, these artistic interventions attempt to critique discourses on death and mourning associated with heteronormative models of familial bonds, chronological lifestyles, norms for intergenerational relationships, and “adequate” responses to biopolitical regimes of health and life. They delve into the cultural ties that Indigenous peoples have maintained in their understanding of mourning as a form of both cultural expression and struggle, and, in this sense, broaden the spectrum of the sexo-dissident struggle, understood as bodies that are battlegrounds and decolonial resistance beyond their mortality.
Camera and editing: Frank Sperling
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Umbilical Cord Amulet
McCord Museum
Object
Feminist Health Care Research Group
Web archive
St Sara Kali George
Delaine Le Bas
Soundscape
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
Live performances by Bartolina Xixa and Carlos Motta in collaboration with Simon(e) Jaikiriuma Paetau and Isabel Gonzalez Toro (sound design) and a prerecorded presentation by Naomi Rincón Gallardo, moderated by Agustín Pérez Rubio
The 11th Berlin Biennale’s final gathering aims to move away from Western philosophy and cultural theory’s understandings of death and mourning. It emphasizes themes of death, mourning, and life after death from a queer perspective, using a critique of norms, questioning ontologies, epistemologies, and ethics, as well as bio and necropolitical agendas, based on the works of the artists presented in the 11th Berlin Biennale exhibition.
Taking into consideration that for Indigenous peoples death has been life’s silent companion since the start of the colonial conquest, these artistic interventions attempt to critique discourses on death and mourning associated with heteronormative models of familial bonds, chronological lifestyles, norms for intergenerational relationships, and “adequate” responses to biopolitical regimes of health and life. They delve into the cultural ties that Indigenous peoples have maintained in their understanding of mourning as a form of both cultural expression and struggle, and, in this sense, broaden the spectrum of the sexo-dissident struggle, understood as bodies that are battlegrounds and decolonial resistance beyond their mortality.
Camera and editing: Frank Sperling
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
A World Without Bones
Agustín Pérez Rubio
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
The Crack Begins Within
Live performances by Bartolina Xixa and Carlos Motta in collaboration with Simon(e) Jaikiriuma Paetau and Isabel Gonzalez Toro (sound design) and a prerecorded presentation by Naomi Rincón Gallardo, moderated by Agustín Pérez Rubio
The 11th Berlin Biennale’s final gathering aims to move away from Western philosophy and cultural theory’s understandings of death and mourning. It emphasizes themes of death, mourning, and life after death from a queer perspective, using a critique of norms, questioning ontologies, epistemologies, and ethics, as well as bio and necropolitical agendas, based on the works of the artists presented in the 11th Berlin Biennale exhibition.
Taking into consideration that for Indigenous peoples death has been life’s silent companion since the start of the colonial conquest, these artistic interventions attempt to critique discourses on death and mourning associated with heteronormative models of familial bonds, chronological lifestyles, norms for intergenerational relationships, and “adequate” responses to biopolitical regimes of health and life. They delve into the cultural ties that Indigenous peoples have maintained in their understanding of mourning as a form of both cultural expression and struggle, and, in this sense, broaden the spectrum of the sexo-dissident struggle, understood as bodies that are battlegrounds and decolonial resistance beyond their mortality.
Camera and editing: Frank Sperling
#fight4rojava
Graffiti
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
Teatro da Vertigem
Monograph
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.