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Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Umbilical Cord Amulet
McCord Museum
Object
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Teatro da Vertigem
Monograph
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
COVID-19 VIDEOS
Carlos Motta
Video
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Hatred Among Us
Lisette Lagnado
Essay
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Feminist Health Care Research Group
Web archive
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
Maternidades subversivas
María Llopis
Monograph
THE MOBILIZATION
Nicolás Cuello
Text
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
St Sara Kali George
Delaine Le Bas
Soundscape
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Documentation
exp. 1: The Bones of the World
With the wind of imperialism in the sails, Europeans are emerging under the flag of science to survey all corners of the world. Expedition. Expansion. Ethnology. Inhabitants of the world are presumptuously identified, classified, cataloged. The white man subdues the planet, appropriates and exploits its resources. Ecology. Economy. Ecotrauma. The European expansionist urge is infinite, the resources of the earth are not. The world is not enough. In 1969 the Apollo 12 starts its flight, the next station is the universe; the next trophy is lunar. But the moon is in the Amazon. In times of colonial expansion and Western universalism, radical resistance means complete disappearance.
Drawing on evidence of the existence of an indigenous people whose survival depends on complete isolation from Western civilization, the theater collective Mapa Teatro creates a process of ethno-fiction. 18 heterogeneous clues will unfold over a one-year period, raising questions about visibility, vulnerability, and fiction from a postcolonial perspective. The first clue in the frame of the lecture performance The Moon is in the Amazon is based on the memories of a “Guaquero” [gravedigger], who comes dangerously close to the isolated indigenous people with his raids on archaeological sites in search of marketable treasures. Tales of shamanists, explorers, and hunters of the region, rumors of neighboring tribes, and skull finds combined with forensic analysis are just a few of the clues that materialize the invisible in different formats. Piece by piece, Mapa Teatro invites you to explore blind spots of history. The 18 clues create a hologram that seems close enough to touch, yet disappears immediately on closer inspection.
In cooperation with Goethe-Institut
Camera: Thabo Thindi, sound: Paolo Combes
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
A World Without Bones
Agustín Pérez Rubio
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Teatro da Vertigem
Monograph
Umbilical Cord Amulet
McCord Museum
Object
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.