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Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Umbilical Cord Amulet
McCord Museum
Object
Freiheit für Chile!
Anonymous
Photo album
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Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
#fight4rojava
Graffiti
New Look
Flávio de Carvalho
Performance
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
COVID-19 VIDEOS
Carlos Motta
Video
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
O Bailado do Deus Morto
Flávio de Carvalho
Play
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.