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How can we establish perspectives and ways of speaking that have received little attention to date? In which knowledge contexts do we really move? How can we build connections and sustainably maintain them?
The idea of an exchange related to these questions has accompanied the 11th Berlin Biennale for Contemporary Art since September 2019. It has become an overall concept that combines curatorial, artistic, and mediating approaches. They ranged from artists’ talks to focus tours, tandem experiments, and urban dialogues. In this way, moments of exchange emerged even in these particular times. We found opportunities for communication that could not be stopped by borders and created safe spaces for encounters. In these, we sought to rethink established approaches and tested solidarity-based experiential practices.
The team of art mediators interwove various contexts, thereby convening different public spheres. Free tours in German, English, Portuguese, Spanish, and Turkish regularly created spaces for conversation in the exhibition. During the focus tours, we honed our view, listening, and thinking by asking specific questions: Which movements and sounds can be found in the exhibitions? Where does a post- or decolonial perspective begin? What makes a work of art queer?
Visitors had two versions of the Truly Yours kits at their disposal for their explorations. The kits were a collection of tools, which could be inside and outside the Biennale exhibitions, to expand the experience. While one kit initiated discussions on topics such as memory, conflict, and institution, the other kit was specifically designed for children and allowed them to try out new ways of seeing, hearing, and playing. In the latter case, we were inspired by the Jugendgremium Schattenmuseum (Shadow Museum Youth Committee) and their SIRIBOX experiments. On two Sundays, the committee invited visitors of all ages to try out different ways of interacting within the biennale exhibition. For children, we organized special screenings of the Grupo Experimental de Cine animated film En la selva hay mucho por hacer (In the Jungle There Is Much to Do). For primary and secondary schools, we organized various workshops.
To counteract the exclusivity of the spaces in which we find ourselves, which are always only conditionally accessible, we transported our mediation practice outside and conducted dialogues in public places. For example, we invited children and young people in the neighborhood of the ExRotaprint complex to participate. And at Oranienplatz, in the vicinity of daadgalerie, we set up a screen printing and textile workshop. In this way, interested passers-by suddenly became workshop participants themselves.
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Teatro da Vertigem
Monograph
Hatred Among Us
Lisette Lagnado
Essay
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Maternidades subversivas
María Llopis
Monograph
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
By using this website you agree to the use of cookies in accordance with our data privacy policy.
How can we establish perspectives and ways of speaking that have received little attention to date? In which knowledge contexts do we really move? How can we build connections and sustainably maintain them?
The idea of an exchange related to these questions has accompanied the 11th Berlin Biennale for Contemporary Art since September 2019. It has become an overall concept that combines curatorial, artistic, and mediating approaches. They ranged from artists’ talks to focus tours, tandem experiments, and urban dialogues. In this way, moments of exchange emerged even in these particular times. We found opportunities for communication that could not be stopped by borders and created safe spaces for encounters. In these, we sought to rethink established approaches and tested solidarity-based experiential practices.
The team of art mediators interwove various contexts, thereby convening different public spheres. Free tours in German, English, Portuguese, Spanish, and Turkish regularly created spaces for conversation in the exhibition. During the focus tours, we honed our view, listening, and thinking by asking specific questions: Which movements and sounds can be found in the exhibitions? Where does a post- or decolonial perspective begin? What makes a work of art queer?
Visitors had two versions of the Truly Yours kits at their disposal for their explorations. The kits were a collection of tools, which could be inside and outside the Biennale exhibitions, to expand the experience. While one kit initiated discussions on topics such as memory, conflict, and institution, the other kit was specifically designed for children and allowed them to try out new ways of seeing, hearing, and playing. In the latter case, we were inspired by the Jugendgremium Schattenmuseum (Shadow Museum Youth Committee) and their SIRIBOX experiments. On two Sundays, the committee invited visitors of all ages to try out different ways of interacting within the biennale exhibition. For children, we organized special screenings of the Grupo Experimental de Cine animated film En la selva hay mucho por hacer (In the Jungle There Is Much to Do). For primary and secondary schools, we organized various workshops.
To counteract the exclusivity of the spaces in which we find ourselves, which are always only conditionally accessible, we transported our mediation practice outside and conducted dialogues in public places. For example, we invited children and young people in the neighborhood of the ExRotaprint complex to participate. And at Oranienplatz, in the vicinity of daadgalerie, we set up a screen printing and textile workshop. In this way, interested passers-by suddenly became workshop participants themselves.
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
St Sara Kali George
Delaine Le Bas
Soundscape
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
How can we establish perspectives and ways of speaking that have received little attention to date? In which knowledge contexts do we really move? How can we build connections and sustainably maintain them?
The idea of an exchange related to these questions has accompanied the 11th Berlin Biennale for Contemporary Art since September 2019. It has become an overall concept that combines curatorial, artistic, and mediating approaches. They ranged from artists’ talks to focus tours, tandem experiments, and urban dialogues. In this way, moments of exchange emerged even in these particular times. We found opportunities for communication that could not be stopped by borders and created safe spaces for encounters. In these, we sought to rethink established approaches and tested solidarity-based experiential practices.
The team of art mediators interwove various contexts, thereby convening different public spheres. Free tours in German, English, Portuguese, Spanish, and Turkish regularly created spaces for conversation in the exhibition. During the focus tours, we honed our view, listening, and thinking by asking specific questions: Which movements and sounds can be found in the exhibitions? Where does a post- or decolonial perspective begin? What makes a work of art queer?
Visitors had two versions of the Truly Yours kits at their disposal for their explorations. The kits were a collection of tools, which could be inside and outside the Biennale exhibitions, to expand the experience. While one kit initiated discussions on topics such as memory, conflict, and institution, the other kit was specifically designed for children and allowed them to try out new ways of seeing, hearing, and playing. In the latter case, we were inspired by the Jugendgremium Schattenmuseum (Shadow Museum Youth Committee) and their SIRIBOX experiments. On two Sundays, the committee invited visitors of all ages to try out different ways of interacting within the biennale exhibition. For children, we organized special screenings of the Grupo Experimental de Cine animated film En la selva hay mucho por hacer (In the Jungle There Is Much to Do). For primary and secondary schools, we organized various workshops.
To counteract the exclusivity of the spaces in which we find ourselves, which are always only conditionally accessible, we transported our mediation practice outside and conducted dialogues in public places. For example, we invited children and young people in the neighborhood of the ExRotaprint complex to participate. And at Oranienplatz, in the vicinity of daadgalerie, we set up a screen printing and textile workshop. In this way, interested passers-by suddenly became workshop participants themselves.
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
St Sara Kali George
Delaine Le Bas
Soundscape
O Bailado do Deus Morto
Flávio de Carvalho
Play
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
How can we establish perspectives and ways of speaking that have received little attention to date? In which knowledge contexts do we really move? How can we build connections and sustainably maintain them?
The idea of an exchange related to these questions has accompanied the 11th Berlin Biennale for Contemporary Art since September 2019. It has become an overall concept that combines curatorial, artistic, and mediating approaches. They ranged from artists’ talks to focus tours, tandem experiments, and urban dialogues. In this way, moments of exchange emerged even in these particular times. We found opportunities for communication that could not be stopped by borders and created safe spaces for encounters. In these, we sought to rethink established approaches and tested solidarity-based experiential practices.
The team of art mediators interwove various contexts, thereby convening different public spheres. Free tours in German, English, Portuguese, Spanish, and Turkish regularly created spaces for conversation in the exhibition. During the focus tours, we honed our view, listening, and thinking by asking specific questions: Which movements and sounds can be found in the exhibitions? Where does a post- or decolonial perspective begin? What makes a work of art queer?
Visitors had two versions of the Truly Yours kits at their disposal for their explorations. The kits were a collection of tools, which could be inside and outside the Biennale exhibitions, to expand the experience. While one kit initiated discussions on topics such as memory, conflict, and institution, the other kit was specifically designed for children and allowed them to try out new ways of seeing, hearing, and playing. In the latter case, we were inspired by the Jugendgremium Schattenmuseum (Shadow Museum Youth Committee) and their SIRIBOX experiments. On two Sundays, the committee invited visitors of all ages to try out different ways of interacting within the biennale exhibition. For children, we organized special screenings of the Grupo Experimental de Cine animated film En la selva hay mucho por hacer (In the Jungle There Is Much to Do). For primary and secondary schools, we organized various workshops.
To counteract the exclusivity of the spaces in which we find ourselves, which are always only conditionally accessible, we transported our mediation practice outside and conducted dialogues in public places. For example, we invited children and young people in the neighborhood of the ExRotaprint complex to participate. And at Oranienplatz, in the vicinity of daadgalerie, we set up a screen printing and textile workshop. In this way, interested passers-by suddenly became workshop participants themselves.
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Freiheit für Chile!
Anonymous
Photo album
O Bailado do Deus Morto
Flávio de Carvalho
Play
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.