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Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
Umbilical Cord Amulet
McCord Museum
Object
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
O Bailado do Deus Morto
Flávio de Carvalho
Play
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Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Hatred Among Us
Lisette Lagnado
Essay
THE MOBILIZATION
Nicolás Cuello
Text
COVID-19 VIDEOS
Carlos Motta
Video
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
Hatred Among Us
Lisette Lagnado
Essay
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
COVID-19 VIDEOS
Carlos Motta
Video
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
St Sara Kali George
Delaine Le Bas
Soundscape
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
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By using this website you agree to the use of cookies in accordance with our data privacy policy.