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Venue: daadgalerie
Osías Yanov born 1980 in Buenos Aires, AR – lives and works in Buenos Aires and Berlin, DE
Sirenes Errantes founded in 2020 in Berlin, Buenos Aires and São Paulo, BR
Osías Yanov is tireless in his search for moments of tension, pressure, overflow, desire, and joy. His multifaceted practice, which could be loosely described as social choreography, has been shaped by his experiences in the underground art and theater scene of Buenos Aires during the 1990s. His point of departure is the moment of transition when the individual spills over into the collective and how the body responds in that particular threshold. Working through performance, installation, and video, Yanov produces revelatory objects, settings, and scenarios drawing from ancient and contemporary rituals in order to find unexpected realities embedded within the everyday. For the work Servicio de Escuchasión [Listening Service, 2020], commissioned by the 11th Berlin Biennale, Yanov continues his process of experimenting with salt as a binding agent of social alchemy, that he began in his presentation at exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov at ExRotaprint.
Once a precious mineral of major exchange value and now one of the cheapest industrialized items on a supermarket shelf, through its specific material transformations, salt manifests our precarious and hermetic potential for mutual healing. Yanov’s most recent work with salt has developed through conversations he initiated with the Sirenes Errantes, a collective of “wandering non-binary mermaids” that he cofounded in 2020 with artists in different parts of South America. In response to the recent Covid-19 pandemic, the Sirenes Errantes initiated an online support structure for their members. Offering their services to the public through online personal appointments, the Sirenes Errantes will also continue their operations beyond the scope of the biennial. In the meantime, inspired by the healing conversations he experienced during the pandemic, Osías Yanov creates an encircling environment as a crystallization of collective earthly survival at a time when the world seems to be dismantling itself.
Övül Ö. Durmusoglu
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
A World Without Bones
Agustín Pérez Rubio
#fight4rojava
Graffiti
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
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Venue: daadgalerie
Osías Yanov born 1980 in Buenos Aires, AR – lives and works in Buenos Aires and Berlin, DE
Sirenes Errantes founded in 2020 in Berlin, Buenos Aires and São Paulo, BR
Osías Yanov is tireless in his search for moments of tension, pressure, overflow, desire, and joy. His multifaceted practice, which could be loosely described as social choreography, has been shaped by his experiences in the underground art and theater scene of Buenos Aires during the 1990s. His point of departure is the moment of transition when the individual spills over into the collective and how the body responds in that particular threshold. Working through performance, installation, and video, Yanov produces revelatory objects, settings, and scenarios drawing from ancient and contemporary rituals in order to find unexpected realities embedded within the everyday. For the work Servicio de Escuchasión [Listening Service, 2020], commissioned by the 11th Berlin Biennale, Yanov continues his process of experimenting with salt as a binding agent of social alchemy, that he began in his presentation at exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov at ExRotaprint.
Once a precious mineral of major exchange value and now one of the cheapest industrialized items on a supermarket shelf, through its specific material transformations, salt manifests our precarious and hermetic potential for mutual healing. Yanov’s most recent work with salt has developed through conversations he initiated with the Sirenes Errantes, a collective of “wandering non-binary mermaids” that he cofounded in 2020 with artists in different parts of South America. In response to the recent Covid-19 pandemic, the Sirenes Errantes initiated an online support structure for their members. Offering their services to the public through online personal appointments, the Sirenes Errantes will also continue their operations beyond the scope of the biennial. In the meantime, inspired by the healing conversations he experienced during the pandemic, Osías Yanov creates an encircling environment as a crystallization of collective earthly survival at a time when the world seems to be dismantling itself.
Övül Ö. Durmusoglu
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Osías Yanov born 1980 in Buenos Aires, AR – lives and works in Buenos Aires and Berlin, DE
Sirenes Errantes founded in 2020 in Berlin, Buenos Aires and São Paulo, BR
Osías Yanov is tireless in his search for moments of tension, pressure, overflow, desire, and joy. His multifaceted practice, which could be loosely described as social choreography, has been shaped by his experiences in the underground art and theater scene of Buenos Aires during the 1990s. His point of departure is the moment of transition when the individual spills over into the collective and how the body responds in that particular threshold. Working through performance, installation, and video, Yanov produces revelatory objects, settings, and scenarios drawing from ancient and contemporary rituals in order to find unexpected realities embedded within the everyday. For the work Servicio de Escuchasión [Listening Service, 2020], commissioned by the 11th Berlin Biennale, Yanov continues his process of experimenting with salt as a binding agent of social alchemy, that he began in his presentation at exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov at ExRotaprint.
Once a precious mineral of major exchange value and now one of the cheapest industrialized items on a supermarket shelf, through its specific material transformations, salt manifests our precarious and hermetic potential for mutual healing. Yanov’s most recent work with salt has developed through conversations he initiated with the Sirenes Errantes, a collective of “wandering non-binary mermaids” that he cofounded in 2020 with artists in different parts of South America. In response to the recent Covid-19 pandemic, the Sirenes Errantes initiated an online support structure for their members. Offering their services to the public through online personal appointments, the Sirenes Errantes will also continue their operations beyond the scope of the biennial. In the meantime, inspired by the healing conversations he experienced during the pandemic, Osías Yanov creates an encircling environment as a crystallization of collective earthly survival at a time when the world seems to be dismantling itself.
Övül Ö. Durmusoglu
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
#fight4rojava
Graffiti
Glossary of Common Knowledge
L’Internationale Online
Glossary
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Umbilical Cord Amulet
McCord Museum
Object
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Osías Yanov born 1980 in Buenos Aires, AR – lives and works in Buenos Aires and Berlin, DE
Sirenes Errantes founded in 2020 in Berlin, Buenos Aires and São Paulo, BR
Osías Yanov is tireless in his search for moments of tension, pressure, overflow, desire, and joy. His multifaceted practice, which could be loosely described as social choreography, has been shaped by his experiences in the underground art and theater scene of Buenos Aires during the 1990s. His point of departure is the moment of transition when the individual spills over into the collective and how the body responds in that particular threshold. Working through performance, installation, and video, Yanov produces revelatory objects, settings, and scenarios drawing from ancient and contemporary rituals in order to find unexpected realities embedded within the everyday. For the work Servicio de Escuchasión [Listening Service, 2020], commissioned by the 11th Berlin Biennale, Yanov continues his process of experimenting with salt as a binding agent of social alchemy, that he began in his presentation at exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov at ExRotaprint.
Once a precious mineral of major exchange value and now one of the cheapest industrialized items on a supermarket shelf, through its specific material transformations, salt manifests our precarious and hermetic potential for mutual healing. Yanov’s most recent work with salt has developed through conversations he initiated with the Sirenes Errantes, a collective of “wandering non-binary mermaids” that he cofounded in 2020 with artists in different parts of South America. In response to the recent Covid-19 pandemic, the Sirenes Errantes initiated an online support structure for their members. Offering their services to the public through online personal appointments, the Sirenes Errantes will also continue their operations beyond the scope of the biennial. In the meantime, inspired by the healing conversations he experienced during the pandemic, Osías Yanov creates an encircling environment as a crystallization of collective earthly survival at a time when the world seems to be dismantling itself.
Övül Ö. Durmusoglu
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
St Sara Kali George
Delaine Le Bas
Soundscape
Teatro da Vertigem
Monograph
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Hatred Among Us
Lisette Lagnado
Essay
Feminist Health Care Research Group
Web archive
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.