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Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Glossary of Common Knowledge
L’Internationale Online
Glossary
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
O Bailado do Deus Morto
Flávio de Carvalho
Play
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Feminist Health Care Research Group
Web archive
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
A World Without Bones
Agustín Pérez Rubio
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born in Lima, PE – lives and works in Lima
They Sing, They Dance, They Fight (2020) is a three-channel video installation in which several short video clips are collaged into a disjointed narrative of female struggle and resistance with a punchy, post-Internet aesthetic.
Within the context of widespread femicide around the globe, They Sing, They Dance, They Fight is informed by what Elena Tejada-Herrera has called “the aesthetics of the politics of empowerment.” The artist deploys beauty, glamor, and absurdity to generate narratives that redefine notions of female physical strength and social agency.
In one clip, scenes in which a woman demonstrates her skills as a “scissor dancer”—a Peruvian vernacular dance normally reserved for men—are combined with footage of a group of women and girls fighting as part of their self-defense training. In another video, a trans woman plays the palla corongo, a typical female character in Peruvian folklore. We see a non-binary blue unicorn, an elderly mermaid, a trans mermaid, and lesbian vampires singing songs from various musical genres which metaphorically refer to social struggles, as well as the life stories of a number of women interviewed by the artist. These scenes are intercut with footage of different transgender women practicing their self-defense techniques, filmed on their own devices in their homes in Lima while quarantined during the Coronavirus health crisis. All these images flow together in a feminist fiction of real life.
They Sing, They Dance, They Fight presents different groups of women unapologetically performing alternative constructions of femininity. Completed by Tejada-Herrera while under lockdown in Lima herself, the work is a joyful celebration of girls, trans women, and women of all ages—as well as of sorority, love, and female power.
Florencia Portocarrero
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.