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Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1822 in Kangeq, GL – died 1869 in Kangeq, GL
In 1858 the skilled seal hunter Âlut Kangermio was too ill with tuberculosis to go out in his kayak. Bedridden, he devoted himself to recording the oral histories told by elders in his Greenlandic community of Kangeq through texts, drawings, woodcuts, and small watercolors. It was in this domestic infirmary, crowded with his similarly ill family, that he created the series K’avdlunâtsianik [On the Norsemen and the Skraelings]. Skraelings was a term used by the Norse to refer to the Inuit. The watercolors depict a massacre of Inuk women and children, followed by the burning down of the Norse settlement by the Greenlanders. A hundred years later the series was presented with an introduction stating: “Greenland publishes her counterpart to the sagas of the Norse era, a living proof that the Skraelings remain the final victors of the struggle with the Norsemen.” The Norse were predecessors of the Danish, who to this day continue their colonial rule in the region.
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Glossary of Common Knowledge
L’Internationale Online
Glossary
Umbilical Cord Amulet
McCord Museum
Object
St Sara Kali George
Delaine Le Bas
Soundscape
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1822 in Kangeq, GL – died 1869 in Kangeq, GL
In 1858 the skilled seal hunter Âlut Kangermio was too ill with tuberculosis to go out in his kayak. Bedridden, he devoted himself to recording the oral histories told by elders in his Greenlandic community of Kangeq through texts, drawings, woodcuts, and small watercolors. It was in this domestic infirmary, crowded with his similarly ill family, that he created the series K’avdlunâtsianik [On the Norsemen and the Skraelings]. Skraelings was a term used by the Norse to refer to the Inuit. The watercolors depict a massacre of Inuk women and children, followed by the burning down of the Norse settlement by the Greenlanders. A hundred years later the series was presented with an introduction stating: “Greenland publishes her counterpart to the sagas of the Norse era, a living proof that the Skraelings remain the final victors of the struggle with the Norsemen.” The Norse were predecessors of the Danish, who to this day continue their colonial rule in the region.
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
#fight4rojava
Graffiti
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1822 in Kangeq, GL – died 1869 in Kangeq, GL
In 1858 the skilled seal hunter Âlut Kangermio was too ill with tuberculosis to go out in his kayak. Bedridden, he devoted himself to recording the oral histories told by elders in his Greenlandic community of Kangeq through texts, drawings, woodcuts, and small watercolors. It was in this domestic infirmary, crowded with his similarly ill family, that he created the series K’avdlunâtsianik [On the Norsemen and the Skraelings]. Skraelings was a term used by the Norse to refer to the Inuit. The watercolors depict a massacre of Inuk women and children, followed by the burning down of the Norse settlement by the Greenlanders. A hundred years later the series was presented with an introduction stating: “Greenland publishes her counterpart to the sagas of the Norse era, a living proof that the Skraelings remain the final victors of the struggle with the Norsemen.” The Norse were predecessors of the Danish, who to this day continue their colonial rule in the region.
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Freiheit für Chile!
Anonymous
Photo album
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
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Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1822 in Kangeq, GL – died 1869 in Kangeq, GL
In 1858 the skilled seal hunter Âlut Kangermio was too ill with tuberculosis to go out in his kayak. Bedridden, he devoted himself to recording the oral histories told by elders in his Greenlandic community of Kangeq through texts, drawings, woodcuts, and small watercolors. It was in this domestic infirmary, crowded with his similarly ill family, that he created the series K’avdlunâtsianik [On the Norsemen and the Skraelings]. Skraelings was a term used by the Norse to refer to the Inuit. The watercolors depict a massacre of Inuk women and children, followed by the burning down of the Norse settlement by the Greenlanders. A hundred years later the series was presented with an introduction stating: “Greenland publishes her counterpart to the sagas of the Norse era, a living proof that the Skraelings remain the final victors of the struggle with the Norsemen.” The Norse were predecessors of the Danish, who to this day continue their colonial rule in the region.
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Glossary of Common Knowledge
L’Internationale Online
Glossary
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.