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Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint in the neighborhood of Wedding. We start with three sequential moments, exp. 1, exp. 2, and exp. 3, unfolding from September 2019 to May 2020. From September 5 to November 1, 2020, the 11th Berlin Biennale will bring forth these experiences at various venues throughout the city. The first experience has just begun.
How do each of us bare ourselves to the world? exp. 1: The Bones of the World is an attempt to hold on to the complicated beauty of life when the fire has erupted. Not an obsession with the ruins, but an attempt to be attentive to what is made with the rubble. A way of working with and remaining beside that which moves us now. As an exhibition it is a setting, an exercise in mutual exposure, a place to listen to the stories that shape us—stories we have shared with one another, and stories that have not yet been told. It is a space open to the diverse experiences that we bring with us, but also to those occurring around us, outside our comfort zones, at this very moment.
Os Ossos do Mundo [The Bones of the World] is also the title of a travelog written by the Brazilian artist Flávio de Carvalho (1899–1973) during his time in Europe in the mid-1930s. Today it reads as a kind of reverse ethnography of the Old World. For us, The Bones of the World is a point of departure, an initial motion, aware of the rawness of time and its broken promises. At the same time, it is a joyous acknowledgement of life occurring amidst, against, and despite the general states of brokenness all around us. From here, we move.
With works and contributions by:
Marwa Arsanios • Felix Brüggemann • Flávio de Carvalho • Colectivo de Serigrafía Instantánea • Léo Corrêa • Die Remise (Ali Akyol, Jacqueline Aslan, Stefan Bast, Muriel Biedrzycki, Julia Brunner, Fatma Cakmak, Stefan Endewardt, Tobi Euler, Melina Gerstemann, Ayşe Güleç, Juanita Kellner, Angelika Levi, Carmen Mörsch, Shanti Suki Osman, Ayse Preissing, Markus Schega, Miriam Schickler, Aylin Turgay, and pupils from the Nürtingen and Heinrich-Zille elementary schools, with Çiçek Bacık, Aïcha Diallo, Saraya Gomis, Kotti-Shop, Annika Niemann, Tuğba Tanyılmaz) • Feminist Health Care Research Group (Inga Zimprich/Julia Bonn) • Andrés Fernández • Florian Gass • Till Gathmann • Mauricio Gatti • Eiko Grimberg • Sheroanawe Hakihiiwe • Âlut Kangermio • Mapa Teatro • Virginia de Medeiros • Marcelo Moreschi • Museo de la Solidaridad Salvador Allende • Mirja Reuter • Teatro da Vertigem • Teo • Cecilia Vicuña • Osías Yanov • and more
Freiheit für Chile!
Anonymous
Photo album
#fight4rojava
Graffiti
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint in the neighborhood of Wedding. We start with three sequential moments, exp. 1, exp. 2, and exp. 3, unfolding from September 2019 to May 2020. From September 5 to November 1, 2020, the 11th Berlin Biennale will bring forth these experiences at various venues throughout the city. The first experience has just begun.
How do each of us bare ourselves to the world? exp. 1: The Bones of the World is an attempt to hold on to the complicated beauty of life when the fire has erupted. Not an obsession with the ruins, but an attempt to be attentive to what is made with the rubble. A way of working with and remaining beside that which moves us now. As an exhibition it is a setting, an exercise in mutual exposure, a place to listen to the stories that shape us—stories we have shared with one another, and stories that have not yet been told. It is a space open to the diverse experiences that we bring with us, but also to those occurring around us, outside our comfort zones, at this very moment.
Os Ossos do Mundo [The Bones of the World] is also the title of a travelog written by the Brazilian artist Flávio de Carvalho (1899–1973) during his time in Europe in the mid-1930s. Today it reads as a kind of reverse ethnography of the Old World. For us, The Bones of the World is a point of departure, an initial motion, aware of the rawness of time and its broken promises. At the same time, it is a joyous acknowledgement of life occurring amidst, against, and despite the general states of brokenness all around us. From here, we move.
With works and contributions by:
Marwa Arsanios • Felix Brüggemann • Flávio de Carvalho • Colectivo de Serigrafía Instantánea • Léo Corrêa • Die Remise (Ali Akyol, Jacqueline Aslan, Stefan Bast, Muriel Biedrzycki, Julia Brunner, Fatma Cakmak, Stefan Endewardt, Tobi Euler, Melina Gerstemann, Ayşe Güleç, Juanita Kellner, Angelika Levi, Carmen Mörsch, Shanti Suki Osman, Ayse Preissing, Markus Schega, Miriam Schickler, Aylin Turgay, and pupils from the Nürtingen and Heinrich-Zille elementary schools, with Çiçek Bacık, Aïcha Diallo, Saraya Gomis, Kotti-Shop, Annika Niemann, Tuğba Tanyılmaz) • Feminist Health Care Research Group (Inga Zimprich/Julia Bonn) • Andrés Fernández • Florian Gass • Till Gathmann • Mauricio Gatti • Eiko Grimberg • Sheroanawe Hakihiiwe • Âlut Kangermio • Mapa Teatro • Virginia de Medeiros • Marcelo Moreschi • Museo de la Solidaridad Salvador Allende • Mirja Reuter • Teatro da Vertigem • Teo • Cecilia Vicuña • Osías Yanov • and more
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint in the neighborhood of Wedding. We start with three sequential moments, exp. 1, exp. 2, and exp. 3, unfolding from September 2019 to May 2020. From September 5 to November 1, 2020, the 11th Berlin Biennale will bring forth these experiences at various venues throughout the city. The first experience has just begun.
How do each of us bare ourselves to the world? exp. 1: The Bones of the World is an attempt to hold on to the complicated beauty of life when the fire has erupted. Not an obsession with the ruins, but an attempt to be attentive to what is made with the rubble. A way of working with and remaining beside that which moves us now. As an exhibition it is a setting, an exercise in mutual exposure, a place to listen to the stories that shape us—stories we have shared with one another, and stories that have not yet been told. It is a space open to the diverse experiences that we bring with us, but also to those occurring around us, outside our comfort zones, at this very moment.
Os Ossos do Mundo [The Bones of the World] is also the title of a travelog written by the Brazilian artist Flávio de Carvalho (1899–1973) during his time in Europe in the mid-1930s. Today it reads as a kind of reverse ethnography of the Old World. For us, The Bones of the World is a point of departure, an initial motion, aware of the rawness of time and its broken promises. At the same time, it is a joyous acknowledgement of life occurring amidst, against, and despite the general states of brokenness all around us. From here, we move.
With works and contributions by:
Marwa Arsanios • Felix Brüggemann • Flávio de Carvalho • Colectivo de Serigrafía Instantánea • Léo Corrêa • Die Remise (Ali Akyol, Jacqueline Aslan, Stefan Bast, Muriel Biedrzycki, Julia Brunner, Fatma Cakmak, Stefan Endewardt, Tobi Euler, Melina Gerstemann, Ayşe Güleç, Juanita Kellner, Angelika Levi, Carmen Mörsch, Shanti Suki Osman, Ayse Preissing, Markus Schega, Miriam Schickler, Aylin Turgay, and pupils from the Nürtingen and Heinrich-Zille elementary schools, with Çiçek Bacık, Aïcha Diallo, Saraya Gomis, Kotti-Shop, Annika Niemann, Tuğba Tanyılmaz) • Feminist Health Care Research Group (Inga Zimprich/Julia Bonn) • Andrés Fernández • Florian Gass • Till Gathmann • Mauricio Gatti • Eiko Grimberg • Sheroanawe Hakihiiwe • Âlut Kangermio • Mapa Teatro • Virginia de Medeiros • Marcelo Moreschi • Museo de la Solidaridad Salvador Allende • Mirja Reuter • Teatro da Vertigem • Teo • Cecilia Vicuña • Osías Yanov • and more
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
New Look
Flávio de Carvalho
Performance
St Sara Kali George
Delaine Le Bas
Soundscape
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint in the neighborhood of Wedding. We start with three sequential moments, exp. 1, exp. 2, and exp. 3, unfolding from September 2019 to May 2020. From September 5 to November 1, 2020, the 11th Berlin Biennale will bring forth these experiences at various venues throughout the city. The first experience has just begun.
How do each of us bare ourselves to the world? exp. 1: The Bones of the World is an attempt to hold on to the complicated beauty of life when the fire has erupted. Not an obsession with the ruins, but an attempt to be attentive to what is made with the rubble. A way of working with and remaining beside that which moves us now. As an exhibition it is a setting, an exercise in mutual exposure, a place to listen to the stories that shape us—stories we have shared with one another, and stories that have not yet been told. It is a space open to the diverse experiences that we bring with us, but also to those occurring around us, outside our comfort zones, at this very moment.
Os Ossos do Mundo [The Bones of the World] is also the title of a travelog written by the Brazilian artist Flávio de Carvalho (1899–1973) during his time in Europe in the mid-1930s. Today it reads as a kind of reverse ethnography of the Old World. For us, The Bones of the World is a point of departure, an initial motion, aware of the rawness of time and its broken promises. At the same time, it is a joyous acknowledgement of life occurring amidst, against, and despite the general states of brokenness all around us. From here, we move.
With works and contributions by:
Marwa Arsanios • Felix Brüggemann • Flávio de Carvalho • Colectivo de Serigrafía Instantánea • Léo Corrêa • Die Remise (Ali Akyol, Jacqueline Aslan, Stefan Bast, Muriel Biedrzycki, Julia Brunner, Fatma Cakmak, Stefan Endewardt, Tobi Euler, Melina Gerstemann, Ayşe Güleç, Juanita Kellner, Angelika Levi, Carmen Mörsch, Shanti Suki Osman, Ayse Preissing, Markus Schega, Miriam Schickler, Aylin Turgay, and pupils from the Nürtingen and Heinrich-Zille elementary schools, with Çiçek Bacık, Aïcha Diallo, Saraya Gomis, Kotti-Shop, Annika Niemann, Tuğba Tanyılmaz) • Feminist Health Care Research Group (Inga Zimprich/Julia Bonn) • Andrés Fernández • Florian Gass • Till Gathmann • Mauricio Gatti • Eiko Grimberg • Sheroanawe Hakihiiwe • Âlut Kangermio • Mapa Teatro • Virginia de Medeiros • Marcelo Moreschi • Museo de la Solidaridad Salvador Allende • Mirja Reuter • Teatro da Vertigem • Teo • Cecilia Vicuña • Osías Yanov • and more
Hatred Among Us
Lisette Lagnado
Essay
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
O Bailado do Deus Morto
Flávio de Carvalho
Play
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.