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Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
A World Without Bones
Agustín Pérez Rubio
Umbilical Cord Amulet
McCord Museum
Object
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Glossary of Common Knowledge
L’Internationale Online
Glossary
THE MOBILIZATION
Nicolás Cuello
Text
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Freiheit für Chile!
Anonymous
Photo album
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
COVID-19 VIDEOS
Carlos Motta
Video
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Our first step into the city of Berlin is to settle into the ground level space of a tower belonging to the architectural complex of ExRotaprint. As incomers we consider our surroundings to be our learning environment—we are here to listen. We bring with us some baggage from our South, artistic alibis and stories, devices to help us navigate the metropolis and listen to its inhabitants. Gazing through the ground-level curtain-window onto a single street in the neighborhood of Wedding, we will begin by creating a scene setting for encounters, dialog, and exchange. We trust in the unforeseen outcome of mutual exposure, not a spectacle of process, but the effort of being present, open, and in proximity. We are aware that our time is limited, but we believe in developing sustainable relationships. Rumor is we have already begun.
The 11th Berlin Biennale for Contemporary Art is taking up residence and opens its first scene setting exp. 1: The Bones of the World on the ground floor of the corner tower at the ExRotaprint complex in the neighborhood of Wedding in Berlin.
Thanks to Rheinsberger Preussenquelle and Vranken Pommery for supporting this event.
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
St Sara Kali George
Delaine Le Bas
Soundscape
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.