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Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Teatro da Vertigem
Monograph
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Umbilical Cord Amulet
McCord Museum
Object
O Bailado do Deus Morto
Flávio de Carvalho
Play
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Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
New Look
Flávio de Carvalho
Performance
#fight4rojava
Graffiti
COVID-19 VIDEOS
Carlos Motta
Video
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
THE MOBILIZATION
Nicolás Cuello
Text
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 1969 in Christiania, DK – disbanded in 1983
In the week before Christmas of 1974, an army of some 100 men, women, and children, all dressed as Santa Claus, raided Copenhagen. They paraded through the city in a procession that included a gigantic “Trojan” goose, angels, Danish flags, and livestock. At first they visited hospitals, sang carols, played with children in schools, roller-skated, and gave away hot chocolate, creating a celebratory atmosphere. As the days went by, their actions became increasingly radical. They invaded the General Motors plant demanding that workers be made the owners. One Santa Claus caused confusion by attempting to get a loan from a bank. Other disruptions occurred at the labor court and stock exchange.
The Santa Claus Army (1974) was a week-long performance carried out by the Solvognen (The Sun Chariot) Theater Group that originated in the autonomous neighborhood of Christiania in Copenhagen. The footage taken in the streets during the actions was made into a film, The Santa Claus Action (1975). The documentation was interspersed with images of a plane dropping missiles, drawing a parallel between war and the violence of capitalism. Solvognen’s performance reached its peak as the Santas handed out merchandise to shoppers inside of Magasin, one of Copenhagen’s biggest department stores. Security guards tried to take the gifts out of people’s hands, while managers pulled off the Santas’ hats and beards. The Santa Clauses sang Christmas carols rescripted with anticapitalist lyrics while they were handcuffed and violently escorted out of the store by police. Children who observed the arrests cried and screamed at the police for taking away their beloved Santa. Such scenes developed without a script; everybody played their role, even if inadvertently. Solvognen’s actions highlight the cruelty of placing profit before people. The joyful idea of Santa Claus giving away gifts was not only made into an absurdity but was also turned into a crime.
Amelia Bande
Jon Bang Carlsen, The Santa Claus Action, 1975, video, color, sound, 43’13’’ (trailer)
COVID-19 VIDEOS
Carlos Motta
Video
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
#fight4rojava
Graffiti
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.