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Press images
Please note that all the images are protected by copyright and may only be used for press purposes related to the 11th Berlin Biennale and with the corresponding credit lines.
11th Berlin Biennale for Contemporary Art, 5.9.–1.11.2020
KW Institute for Contemporary Art
Exterior view
KW Institute for Contemporary Art (Auguststraße), Berlin, 5.9.–1.11.2020
Photo: Silke Briel
Installation views
Pedro Moraleida Bernardes, Young-jun Tak, Florencia Rodriguez Giles, Installation view, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Pedro Moraleida Bernardes, Florencia Rodriguez Giles, Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Galli, Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Brenda V. Fajardo, Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Carlos Motta, Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Galeria Vermelho, São Paulo; P.P.O.W. Gallery, New York; mor charpentier, Paris
Photo: Silke Briel
Óscar Fernando Morales Martínez, Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Zehra Doğan, Xêzên Dizî [The Hidden Drawings], 2018–20
Charcoal pencil and marker pen on letter papers that were sent to the artist by a friend
Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Zehra Doğan
Photo: Silke Briel
Participants
Azucena Vieites
Azucena Vieites, A World, 2020
Acrylic on paper, cardboard, print on paper, silkscreen on paper
Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Azucena Vieites
Photo: Silke Briel
Christine Meisner
Christine Meisner, Unsharpness In A Possible, Episode 1: Submissions from Berlin, 2020
Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Elena Tejada-Herrera
Elena Tejada-Herrera, They Sing, They Dance, They Fight, 2020
3-Kanal-Videoinstallation, Farbe, Ton, Loop; Discobeleuchtung, 1609
Photo: Silke Briel
Flávio de Carvalho
Flávio de Carvalho, Retrato ancestral [Ahn*innenporträt], 1932
Oil on canvas
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Photo: Silke Briel
Małgorzata Mirga-Tas
Małgorzata Mirga-Tas, Lost Memory, 2018
Wax
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Małgorzata Mirga-Tas
Photo: Silke Briel
Małgorzata Mirga-Tas, Lost Memory, 2018
Wax
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Małgorzata Mirga-Tas
Photo: Silke Briel
Mariela Scafati
Mariela Scafati, Movilización [Mobilization], 2020
65 Paintings
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Mariela Scafati; Galería Isla Flotante, Buenos Aires; PSM, Berlin
Photo: Silke Briel
Paula Baeza Pailamilla
Paula Baeza Pailamilla, Kurü Mapu [Black Land], 2018
Textile, wood, barbed wire, metal; HD-Video, Farbe, Ton HD video, color, sound, 345
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Paula Baeza Pailamilla
Photo: Silke Briel
Sara Sejin Chang (Sara van der Heide)
Sara Sejin Chang (Sara van der Heide), Four Months, Four Million Light Years, 2020
Video, color, sound, 35΄, textiles, paper, watercolor on paper
Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Sara Sejin Chang (Sara van der Heide)
Photo: Silke Briel
Sara Sejin Chang (Sara van der Heide), Four Months, Four Million Light Years, 2020
Video, color, sound, 35΄, textiles, paper, watercolor on paper
Installation view (detail), 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Sara Sejin Chang (Sara van der Heide)
Photo: Silke Briel
Young-jun Tak
Young-jun Tak, Chained, 2020
Resin, fiberglass, paper, glue
Installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020
Courtesy Young-jun Tak
Photo: Silke Briel
daadgalerie
Exterior view
daadgalerie (Oranienstraße), Berlin, 5.9.–1.11.2020
Photo: Silke Briel
Installation views
Delaine Le Bas, St Sara Kali George, 2020
Mixed media
Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Courtesy Delaine Le Bas; Yamamoto Keiko Rochaix, London
Photo: Silke Briel
Andrés Fernández, Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Photo: Silke Briel
Osías Yanov and Sirenes Errantes, Dana Michel and Stacy Maurice, Francisco Copello, Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Photo: Silke Briel
Osías Yanov and Sirenes Errantes, Servicio de Escuchasión [Zuhör-Service Listening Service], 2020
Mixed media
Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Courtesy Osías Yanov and Sirenes Errantes
Photo: Silke Briel
Naomi Rincón Gallardo, Resiliencia Tlacuache [Opossum Resilience], 2019
HD video, color, sound, 1601
Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Courtesy Naomi Rincón Gallardo
Photo: Silke Briel
Participants
Andrés Fernández
Andrés Fernández, Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Photo: Silke Briel
Dana Michel and Tracy Maurice
Dana Michel and Tracy Maurice, Lay them all down, 2020
Footage of the video and live performance Jams do Jams at the Musée d’art contemporain de Montréal, 23.10.–3.11.2018 Video, color, sound 33’31”
Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Courtesy Dana Michel und and Tracy Maurice
Photo: Silke Briel
Delaine Le Bas
Delaine Le Bas, St Sara Kali George, 2020
Mixed media
Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Courtesy Delaine Le Bas; Yamamoto Keiko Rochaix, London
Photo: Silke Briel
Edgar Calel
Edgar Calel, B’atz tejido constelación de saberes [B’atz Textile Constellation of Knowledges], 2015
Cotton, yarn, embroidered words 2 photographs – exhibition prints
Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Courtesy Edgar Calel
Photo: Silke Briel
FCNN – Feminist Collective With No Name (Dina El Kaisy Friemuth/Anita Beikpour) mit with Neda Sanai
FCNN – Feminist Collective With No Name (Dina El Kaisy Friemuth/Anita Beikpour) mit with Neda Sanai, Hydrocapsules.love, 2020
Paper, fabric, film, sound, and digital platform
Installation view, 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
Courtesy FCNN – Feminist Collective With No Name (Dina El Kaisy Friemuth/Anita Beikpour) with Neda Sanai
Photo: Silke Briel
Francisco Copello
Francisco Copello, Casta Diva [Chaste Diva], 1990
Photoengraving, mixed media on BFK Rives paper
Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Collection Museo Nacional de Bellas Artes, Santiago de Chile
Photo: Silke Briel
Francisco Copello, Participación del público [Audience Participation], 1990
Photoengraving, mixed media on Somerset paper
Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Collection Museo Nacional de Bellas Artes, Santiago de Chile
Photo: Silke Briel
Osías Yanov and Sirenes Errantes
Osías Yanov and Sirenes Errantes, Servicio de Escuchasión [Listening Service], 2020
Mixed media Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020 Courtesy Osías Yanov and Sirenes Errantes
Photo: Silke Briel
Solvognen (The Sun Chariot) Theater Group
Solvognen (The Sun Chariot) Theater Group, Installation view (detail), 11th Berlin Biennale, daadgalerie, 5.9.–1.11.2020
All works Courtesy Solvognen (The Sun Chariot) Theater Group
Photo: Silke Briel
Gropius Bau
Installation views
Aline Baiana, The Cross of the South, 2020
BR 5 stones (banded iron formation, auriferous conglomerate, ornamental stone, Itabirite, cupriferous conglomerate), metal wires, computer pieces, iron ore, epoxy resin, and mining waste resulting from environmental crimes in Brumadinho, BR
Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Aline Baiana
Photo: Mathias Völzke
Andrés Pereira Paz, EGO FVLCIO COLLVMNAS EIVS [I FORTIFY YOUR COLUMNS], 2020
Mixed media
Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Andrés Pereira Paz; Crisis Galería, Lima; Galería Isla Flotante, Buenos Aires
Photo: Mathias Völzke
Aykan Safoğlu, Zero Deficit (in Refusal), 2020
Digital print on strips of wallpaper, powder-coated steel structures
Dimensions variable
Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Prints by Lamarts, Istanbul
All works Courtesy Aykan Safoğlu
Commissioned and produced by Berlin Biennale for Contemporary Art
In collaboration with Lamarts, Istanbul
With the support of SAHA Association
With thanks to Academy of Fine Arts Vienna, PhD in Practice, doc.funds
Photo: Mathias Völzke
Museu de Imagens do Inconsciente, Rio de Janeiro, BR, Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Photo: Mathias Völzke
Museu de Arte Osório Cesar, Franco da Rocha, BR, Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
All works Collection Museu de Arte Osório Cesar, Franco da Rocha; Courtesy Complexo Hospitalar do Juquery and Prefeitura de Franco da Rocha
Photo: Mathias Völzke
Francisco Huichaqueo, Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
All works Courtesy Francisco Huichaqueo
Photo: Mathias Völzke
Antonio Pichillá, Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020,
Photo: Mathias Völzke
Pacita Abad, Marcos and His Cronies, 1985–95
Acrylic, oil, textile collage, mirrors, shells, buttons, glass beads, gold thread, and padded fabric on stitched and padded fabric
Photo: Mathias Völzke
Museo de la Solidaridad Salvador Allende (MSSA), Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Photo: Mathias Völzke
Museo de la Solidaridad Salvador Allende (MSSA), Installation View, 11th Berlin Biennale, Gropius Bau, 5.9.¬–1.11.2020
Foto: Mathias Völzke
Castiel Vitorino Brasileiro, From the series No antiquário eu negociei o tempo [In the Antique Shop I Negotiated Time], 2018
5 photographic prints mounted on aluminum composite board, exhibition prints
Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Castiel Vitorino Brasileiro
Photo: Mathias Völzke
Pélagie Gbaguidi, Zone de troc [Barter Zone], 2020
Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Pélagie Gbaguidi
Photo: Mathias Völzke
Sandra Gamarra Heshiki, Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Photo: Mathias Völzke
Participants
Andrés Pereira Paz
Andrés Pereira Paz, EGO FVLCIO COLLVMNAS EIVS [I FORTIFY YOUR COLUMNS], 2020
Mixed media
Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Andrés Pereira Paz; Crisis Galería, Lima; Galería Isla Flotante, Buenos Aires
Photo: Mathias Völzke
Cian Dayrit
Cian Dayrit, Installation view, 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Photo: Mathias Völzke
Pélagie Gbaguidi
Pélagie Gbaguidi, Zone de troc [Barter Zone], 2020
98 drawings from a new series, colored pencils, dry pastel and wool on paper; embroidery on tarpaulin from Congo and flour sack from Morocco (Residency Ifitry, Morocco / artist’s studio, Belgium); taxidermied hyena Crocuta crocuta; taxidermied Barbary sheep Ammotragus lervia; shipping wooden crates “Mandeville. Poste de pêche Kingabwa” and “Musée Ethnographie”, Taxidermied animals and shipping crates
Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Pélagie Gbaguidi
Photo: Mathias Völzke
Pélagie Gbaguidi, Zone de troc [Barter Zone], 2020
98 drawings from a new series, colored pencils, dry pastel and wool on paper; embroidery on tarpaulin from Congo and flour sack from Morocco (Residency Ifitry, Morocco / artist’s studio, Belgium); taxidermied hyena Crocuta crocuta; taxidermied Barbary sheep Ammotragus lervia; shipping wooden crates “Mandeville. Poste de pêche Kingabwa” and “Musée Ethnographie”, Taxidermied animals and shipping crates
Installation view (detail), 11th Berlin Biennale, Gropius Bau, 5.9.–1.11.2020
Courtesy Pélagie Gbaguidi
Photo: Mathias Völzke
11th Berlin Biennale c/o ExRotaprint
Exterior view
View entrance corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße), Berlin, 5.9.–1.11.2020
Photo: Mathias Völzke
Installation views
Dorine Mokha, Elements from the performance: dress, stone and letter, 2020
Installation view, 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Courtesy Dorine Mokha
Photo: Mathias Völzke
Mirja Reuter und Florian Gass, Stories in Motion, 2019/20
Documentation wall
Drawings, collage on black cardboards, models, wooden and shadow puppets, theater background, scenic elements, transcript of the Der Zauberfuchs [Magic Fox] and Die verlorene Welt [The Lost World], photographs and video documentation of the puppet theatre workshops realized on 30.10.2019 and 22./23./24.6.2020
Installation view, 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Photo: Mathias Völzke
Mirja Reuter und Florian Gass, Stories in Motion, 2019/20
Documentation wall
Drawings, collage on black cardboards, models, wooden and shadow puppets, theater background, scenic elements, transcript of the Der Zauberfuchs [Magic Fox] and Die verlorene Welt [The Lost World], photographs and video documentation of the puppet theatre workshops realized on 30.10.2019 and 22./23./24.6.2020
Installation view (detail), 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Photo: Mathias Völzke
Mirja Reuter und Florian Gass, Stories in Motion, 2019/20
Documentation wall
Drawings, collage on black cardboards, models, wooden and shadow puppets, theater background, scenic elements, transcript of the Der Zauberfuchs [Magic Fox] and Die verlorene Welt [The Lost World], photographs and video documentation of the puppet theatre workshops realized on 30.10.2019 and 22./23./24.6.2020
Installation view (detail), 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Photo: Mathias Völzke
Sinthujan Varatharajah, fleeting geographies (death in exile, without land, resistance, fleeting I, fleeting II, fleeting III), published between 23.–26.4.2020 on the Instagram account @berlinbiennale
Series of images, video, color, sound
Total duration 15΄9˝
Courtesy Sinthujan Varatharajah
Photo: Mathias Völzke
Participants
Âlut Kangermio
Âlut Kangermio, Sumi Sumullu? [Where and Where to?]
Reproduction of the cover of the anti-colonial rockband Sumé’s record Sumut from 1973 featuring a woodcut by Âlut Kangermio ca. 1860
Risograph print
Installation view, 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020 Courtesy Hospital Prison University Archive 2018
Photo: Mathias Völzke
Cansu Çakar
Cansu Çakar, A day, 2020
Spray paint on concrete
Installation view, 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Photo: Mathias Völzke
Cansu Çakar, Stencil for A day, 2020
Courtesy Cansu Çakar
Installation view, 11th Berlin Biennale c/o ExRotaprint, 5.9.–1.11.2020
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov
Installation views Sinthujan Varatharajah
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
Sinthujan Varatharajah, how to move an arche, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
Installation views Osías Yanov
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
Osías Yanov, ser con el otre, three framed facsimiles, metal (steel, iron, alpaca, copper), plexiglass, card index, salt, video, installation view, exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov, 11th Berlin Biennale c/o ExRotaprint, 22.2.–2.5.2020, extended until 25.7.2020
Installation view
Photo: Mathias Völzke
Sinthujan Varatharajah
Courtesy Sinthujan Varatharajah
Phrasebook and dictionary, German – Tamil, 1989
Detail
Courtesy Berlin Biennale for Contemporary Art
Phrasebook and dictionary, German – Tamil, 1989
Detail
Courtesy Berlin Biennale for Contemporary Art
Osías Yanov
Osías Yanov, Soplo de humo, 2019, courtesy Osías Yanov
Osías Yanov, Josefina, Poroto y Tronco, 2019
Courtesy Osías Yanov
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group
Installation views
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
exp. 2: Virginia de Medeiros – Feminist Health Care Research Group, 30.11.2019–8.2.2020, 11th Berlin Biennale c/o ExRotaprint
Installation view
Photo: Mathias Völzke
Video stills
Virginia de Medeiros, Trem em Transe, 2019
Video still
Courtesy Virginia de Medeiros
Virginia de Medeiros, Trem em Transe, 2019
Video still
Courtesy Virginia de Medeiros
Virginia de Medeiros, Trem em Transe, 2019
Video still
Courtesy Virginia de Medeiros
Virginia de Medeiros, Trem em Transe, 2019
Video still
Courtesy Virginia de Medeiros
Feminist Health Care Research Group
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn), Collages of materials from the health movement of West Berlin during the 70s and 80s, 2018, contribution to Zeitschrift für Medienwissenschaft 19
exp. 1: The Bones of the World
Installation views
Installation view exp. 1: The Bones of the World, 7.9.–9.11.2019, 11th Berlin Biennale c/o ExRotaprint
Photo: Mathias Völzke
Installation view exp. 1: The Bones of the World, 7.9.–9.11.2019, 11th Berlin Biennale c/o ExRotaprint
Photo: Mathias Völzke
Installation view exp. 1: The Bones of the World, 7.9.–9.11.2019, 11th Berlin Biennale c/o ExRotaprint
Photo: Mathias Völzke
11th Berlin Biennale
Curators of the 11th Berlin Biennale for Contemporary Art, f. l. t. r.: Renata Cervetto, Agustín Pérez Rubio, María Berríos, Lisette Lagnado
Photo: F. Anthea Schaap
View corner tower, ExRotaprint (Gottschedstraße/Bornemannstraße)
Berlin, 2019
Photo: Eberle & Eisfeld
Façade of the daadgalerie (Oranienstraße in Berlin Kreuzberg) during the exhibition by Minerva Cuevas, No Room To Play, 12.4.–9.6.2019, photo: Thomas Bruns
Exterior view, Martin-Gropius-Bau, photo: Christian Riis Ruggaber
KW Institute for Contemporary Art, courtesy Tatjana Pieters, photo: Frank Sperling
Flávio de Carvalho
Flávio de Carvalho wearing the New Look-suit and walking on the streets of São Paulo, Experiência n. 3, 1956
Photograph, b/w
Source: Fundo Flávio de Carvalho/CEDAE-UNICAMP, Campinas
© The Heirs of Flávio de Carvalho
Publications
Mauricio Gatti, In the Jungle There Is Much to Do, published by the Berlin Biennale for Contemporary Art, 2019
Photo: Alex Ostojski
Mauricio Gatti, In the Jungle There Is Much to Do, published by the Berlin Biennale for Contemporary Art, 2019
Photo: Alex Ostojski
Mauricio Gatti, In the Jungle There Is Much to Do, published by the Berlin Biennale for Contemporary Art, 2019
Photo: Alex Ostojski
Mauricio Gatti, In the Jungle There Is Much to Do, published by the Berlin Biennale for Contemporary Art, 2019
Photo: Alex Ostojski
Flávio de Carvalho, Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020
Flávio de Carvalho, Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020
Flávio de Carvalho, Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
O Bailado do Deus Morto
Flávio de Carvalho
Play
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Feminist Health Care Research Group
Web archive
Umbilical Cord Amulet
McCord Museum
Object
Glossary of Common Knowledge
L’Internationale Online
Glossary
