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Venue: KW Institute for Contemporary Art
Born 1951 in Copiapó, CL – lives and works in Santiago, CL
Óscar Fernando Morales Martínez is a Chilean artist and poet. Trained as a mechanic and electrician, he began making art early in life, but his work became more concentrated after he was hospitalized in a psychiatric institution. He was diagnosed with paranoid schizophrenia as a young man, shortly after his compulsory military service. In the hospital he continued to draw and paint prolifically, using markers, pencil, and tempera on paper. In his drawings, Morales Martínez employs a repetitive, self-invented formula: the code of a noble supercomputer composed of lines, words, and numbers. Most of his works feature a ruler-drawn frame, inside of which are electric circuits, aliens, video cameras, birds, Internet orbits, teddy bears, angels, and light bulbs. Morales Martínez makes images that refer to the divine, the animal world, “electronic dreams” (possibly linked to electroconvulsive therapy), memories of his mother, and his childhood in Copiapó, a desert mining city in the north of Chile. Technology, autobiography, and mythological creations are mixed together in a contained cosmos—a spiritual datasheet where everything can be explained within the page. These elaborate constructions seem safer than the outside world, and provide the necessary means to inhabit it.
In 2012 Óscar Fernando Morales Martínez began to participate in Radio Estación Locura, a radio station founded by psychologist Ernesto Bouey and run by patients at the Psychiatric Institute Dr. José Horwitz Barak in Santiago, where Morales spends most of his days as an outpatient. The radio follows the individual impulses of the contributors while creating a sense of community around the urgency of making. While Morales Martínez had already transformed the hallways of the Psychotherapy Unit into an ever-shifting exhibition of his many drawings and paintings, the radio became a place for him to open up his practice.
Amelia Bande
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
O Bailado do Deus Morto
Flávio de Carvalho
Play
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
Umbilical Cord Amulet
McCord Museum
Object
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born 1951 in Copiapó, CL – lives and works in Santiago, CL
Óscar Fernando Morales Martínez is a Chilean artist and poet. Trained as a mechanic and electrician, he began making art early in life, but his work became more concentrated after he was hospitalized in a psychiatric institution. He was diagnosed with paranoid schizophrenia as a young man, shortly after his compulsory military service. In the hospital he continued to draw and paint prolifically, using markers, pencil, and tempera on paper. In his drawings, Morales Martínez employs a repetitive, self-invented formula: the code of a noble supercomputer composed of lines, words, and numbers. Most of his works feature a ruler-drawn frame, inside of which are electric circuits, aliens, video cameras, birds, Internet orbits, teddy bears, angels, and light bulbs. Morales Martínez makes images that refer to the divine, the animal world, “electronic dreams” (possibly linked to electroconvulsive therapy), memories of his mother, and his childhood in Copiapó, a desert mining city in the north of Chile. Technology, autobiography, and mythological creations are mixed together in a contained cosmos—a spiritual datasheet where everything can be explained within the page. These elaborate constructions seem safer than the outside world, and provide the necessary means to inhabit it.
In 2012 Óscar Fernando Morales Martínez began to participate in Radio Estación Locura, a radio station founded by psychologist Ernesto Bouey and run by patients at the Psychiatric Institute Dr. José Horwitz Barak in Santiago, where Morales spends most of his days as an outpatient. The radio follows the individual impulses of the contributors while creating a sense of community around the urgency of making. While Morales Martínez had already transformed the hallways of the Psychotherapy Unit into an ever-shifting exhibition of his many drawings and paintings, the radio became a place for him to open up his practice.
Amelia Bande
Umbilical Cord Amulet
McCord Museum
Object
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
A World Without Bones
Agustín Pérez Rubio
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born 1951 in Copiapó, CL – lives and works in Santiago, CL
Óscar Fernando Morales Martínez is a Chilean artist and poet. Trained as a mechanic and electrician, he began making art early in life, but his work became more concentrated after he was hospitalized in a psychiatric institution. He was diagnosed with paranoid schizophrenia as a young man, shortly after his compulsory military service. In the hospital he continued to draw and paint prolifically, using markers, pencil, and tempera on paper. In his drawings, Morales Martínez employs a repetitive, self-invented formula: the code of a noble supercomputer composed of lines, words, and numbers. Most of his works feature a ruler-drawn frame, inside of which are electric circuits, aliens, video cameras, birds, Internet orbits, teddy bears, angels, and light bulbs. Morales Martínez makes images that refer to the divine, the animal world, “electronic dreams” (possibly linked to electroconvulsive therapy), memories of his mother, and his childhood in Copiapó, a desert mining city in the north of Chile. Technology, autobiography, and mythological creations are mixed together in a contained cosmos—a spiritual datasheet where everything can be explained within the page. These elaborate constructions seem safer than the outside world, and provide the necessary means to inhabit it.
In 2012 Óscar Fernando Morales Martínez began to participate in Radio Estación Locura, a radio station founded by psychologist Ernesto Bouey and run by patients at the Psychiatric Institute Dr. José Horwitz Barak in Santiago, where Morales spends most of his days as an outpatient. The radio follows the individual impulses of the contributors while creating a sense of community around the urgency of making. While Morales Martínez had already transformed the hallways of the Psychotherapy Unit into an ever-shifting exhibition of his many drawings and paintings, the radio became a place for him to open up his practice.
Amelia Bande
COVID-19 VIDEOS
Carlos Motta
Video
O Bailado do Deus Morto
Flávio de Carvalho
Play
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Born 1951 in Copiapó, CL – lives and works in Santiago, CL
Óscar Fernando Morales Martínez is a Chilean artist and poet. Trained as a mechanic and electrician, he began making art early in life, but his work became more concentrated after he was hospitalized in a psychiatric institution. He was diagnosed with paranoid schizophrenia as a young man, shortly after his compulsory military service. In the hospital he continued to draw and paint prolifically, using markers, pencil, and tempera on paper. In his drawings, Morales Martínez employs a repetitive, self-invented formula: the code of a noble supercomputer composed of lines, words, and numbers. Most of his works feature a ruler-drawn frame, inside of which are electric circuits, aliens, video cameras, birds, Internet orbits, teddy bears, angels, and light bulbs. Morales Martínez makes images that refer to the divine, the animal world, “electronic dreams” (possibly linked to electroconvulsive therapy), memories of his mother, and his childhood in Copiapó, a desert mining city in the north of Chile. Technology, autobiography, and mythological creations are mixed together in a contained cosmos—a spiritual datasheet where everything can be explained within the page. These elaborate constructions seem safer than the outside world, and provide the necessary means to inhabit it.
In 2012 Óscar Fernando Morales Martínez began to participate in Radio Estación Locura, a radio station founded by psychologist Ernesto Bouey and run by patients at the Psychiatric Institute Dr. José Horwitz Barak in Santiago, where Morales spends most of his days as an outpatient. The radio follows the individual impulses of the contributors while creating a sense of community around the urgency of making. While Morales Martínez had already transformed the hallways of the Psychotherapy Unit into an ever-shifting exhibition of his many drawings and paintings, the radio became a place for him to open up his practice.
Amelia Bande
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
O Bailado do Deus Morto
Flávio de Carvalho
Play
Invitation to the Species: Cecilia Vicuña
Tamaas / Cecilia Vicuña
Podcast
COVID-19 VIDEOS
Carlos Motta
Video
Teatro da Vertigem
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.