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exp. 1
exp. 2
exp. 3
Venue: KW Institute for Contemporary Art
Was also part of: exp. 1
Marwa Arsanios, Who is Afraid of Ideology? (Part 2), 2019, video, color, sound, 38’44”, courtesy Marwa Arsanios; mor charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Born 1978 in Washington, D.C., US – lives and works in Berlin, DE, and Beirut, LB
Reasserting the fundamentals of life against the machineries of capitalist exploitation is at the core of today’s anti-colonial struggle for wider social and political change, and women are fighting on its different frontiers. The three films of Marwa Arsanios’ Who is Afraid of Ideology? series (2017–20) weave an intersectional path through these struggles of women—in places such as Northern Syria and Colombia—to claim the right to the land and to reconnect with nature in an unmediated way. Self-defense, eco-feminism, ownership, healing, resisting state control, autonomy, collectivity, Indigenous struggle, seed protection, and land rights define the common ground of women who are resisting extractivist industries.
How are we choosing to live and survive today? Can ideologies be transformative? How can life be fostered within the context of military conflict and war? Arsanios’ timely questions probe not only the ways in which ideology and theory coincide with living practice but also whether “we” who are outside these circles of struggle can embody answers. Who is Afraid of Ideology? (Part 1) (2017) and (Part 2) (2019) are shaped around interviews the artist made with members of the Kurdish Autonomous Women’s Movement in Iraqi Kurdistan and Jinwar, a women-only commune in northern Syria, exploring the possibilities of a political praxis based on an existence close to nature and within armed struggle. While producing the films, Arsanios organized different meetings with women farmers and ecological feminists from Syria, Lebanon, Colombia, Mexico, India, Poland, Denmark, and Greece to exchange knowledge around their cooperatives and communes.
Who is Afraid of Ideology? (Part 3) – Microresistances (2020) draws from these intense exchanges and footage partly filmed in the south of Tolima in Colombia. The last film of the trilogy focuses on the ongoing systemic war waged by transnational corporations against the smallest and the most essential element of life—the seed.
Övül Ö. Durmusoglu
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Freiheit für Chile!
Anonymous
Photo album
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Umbilical Cord Amulet
McCord Museum
Object
Glossary of Common Knowledge
L’Internationale Online
Glossary
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Was also part of: exp. 1
Marwa Arsanios, Who is Afraid of Ideology? (Part 2), 2019, video, color, sound, 38’44”, courtesy Marwa Arsanios; mor charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Born 1978 in Washington, D.C., US – lives and works in Berlin, DE, and Beirut, LB
Reasserting the fundamentals of life against the machineries of capitalist exploitation is at the core of today’s anti-colonial struggle for wider social and political change, and women are fighting on its different frontiers. The three films of Marwa Arsanios’ Who is Afraid of Ideology? series (2017–20) weave an intersectional path through these struggles of women—in places such as Northern Syria and Colombia—to claim the right to the land and to reconnect with nature in an unmediated way. Self-defense, eco-feminism, ownership, healing, resisting state control, autonomy, collectivity, Indigenous struggle, seed protection, and land rights define the common ground of women who are resisting extractivist industries.
How are we choosing to live and survive today? Can ideologies be transformative? How can life be fostered within the context of military conflict and war? Arsanios’ timely questions probe not only the ways in which ideology and theory coincide with living practice but also whether “we” who are outside these circles of struggle can embody answers. Who is Afraid of Ideology? (Part 1) (2017) and (Part 2) (2019) are shaped around interviews the artist made with members of the Kurdish Autonomous Women’s Movement in Iraqi Kurdistan and Jinwar, a women-only commune in northern Syria, exploring the possibilities of a political praxis based on an existence close to nature and within armed struggle. While producing the films, Arsanios organized different meetings with women farmers and ecological feminists from Syria, Lebanon, Colombia, Mexico, India, Poland, Denmark, and Greece to exchange knowledge around their cooperatives and communes.
Who is Afraid of Ideology? (Part 3) – Microresistances (2020) draws from these intense exchanges and footage partly filmed in the south of Tolima in Colombia. The last film of the trilogy focuses on the ongoing systemic war waged by transnational corporations against the smallest and the most essential element of life—the seed.
Övül Ö. Durmusoglu
Maternidades subversivas
María Llopis
Monograph
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Was also part of: exp. 1
Marwa Arsanios, Who is Afraid of Ideology? (Part 2), 2019, video, color, sound, 38’44”, courtesy Marwa Arsanios; mor charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Born 1978 in Washington, D.C., US – lives and works in Berlin, DE, and Beirut, LB
Reasserting the fundamentals of life against the machineries of capitalist exploitation is at the core of today’s anti-colonial struggle for wider social and political change, and women are fighting on its different frontiers. The three films of Marwa Arsanios’ Who is Afraid of Ideology? series (2017–20) weave an intersectional path through these struggles of women—in places such as Northern Syria and Colombia—to claim the right to the land and to reconnect with nature in an unmediated way. Self-defense, eco-feminism, ownership, healing, resisting state control, autonomy, collectivity, Indigenous struggle, seed protection, and land rights define the common ground of women who are resisting extractivist industries.
How are we choosing to live and survive today? Can ideologies be transformative? How can life be fostered within the context of military conflict and war? Arsanios’ timely questions probe not only the ways in which ideology and theory coincide with living practice but also whether “we” who are outside these circles of struggle can embody answers. Who is Afraid of Ideology? (Part 1) (2017) and (Part 2) (2019) are shaped around interviews the artist made with members of the Kurdish Autonomous Women’s Movement in Iraqi Kurdistan and Jinwar, a women-only commune in northern Syria, exploring the possibilities of a political praxis based on an existence close to nature and within armed struggle. While producing the films, Arsanios organized different meetings with women farmers and ecological feminists from Syria, Lebanon, Colombia, Mexico, India, Poland, Denmark, and Greece to exchange knowledge around their cooperatives and communes.
Who is Afraid of Ideology? (Part 3) – Microresistances (2020) draws from these intense exchanges and footage partly filmed in the south of Tolima in Colombia. The last film of the trilogy focuses on the ongoing systemic war waged by transnational corporations against the smallest and the most essential element of life—the seed.
Övül Ö. Durmusoglu
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
„Klaus Eckschen: Hörspiel“
Die Remise
Hörspiel
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: KW Institute for Contemporary Art
Was also part of: exp. 1
Marwa Arsanios, Who is Afraid of Ideology? (Part 2), 2019, video, color, sound, 38’44”, courtesy Marwa Arsanios; mor charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Microresistances, 2020, video, color, sound, ca. 30’, courtesy Marwa Arsanios; mor Charpentier, Paris
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Marwa Arsanios, Who is Afraid of Ideology? (Part 3) – Micro Resistencias, 2020, installation view, 11th Berlin Biennale, KW Institute for Contemporary Art, 5.9.–1.11.2020, photo: Silke Briel
Born 1978 in Washington, D.C., US – lives and works in Berlin, DE, and Beirut, LB
Reasserting the fundamentals of life against the machineries of capitalist exploitation is at the core of today’s anti-colonial struggle for wider social and political change, and women are fighting on its different frontiers. The three films of Marwa Arsanios’ Who is Afraid of Ideology? series (2017–20) weave an intersectional path through these struggles of women—in places such as Northern Syria and Colombia—to claim the right to the land and to reconnect with nature in an unmediated way. Self-defense, eco-feminism, ownership, healing, resisting state control, autonomy, collectivity, Indigenous struggle, seed protection, and land rights define the common ground of women who are resisting extractivist industries.
How are we choosing to live and survive today? Can ideologies be transformative? How can life be fostered within the context of military conflict and war? Arsanios’ timely questions probe not only the ways in which ideology and theory coincide with living practice but also whether “we” who are outside these circles of struggle can embody answers. Who is Afraid of Ideology? (Part 1) (2017) and (Part 2) (2019) are shaped around interviews the artist made with members of the Kurdish Autonomous Women’s Movement in Iraqi Kurdistan and Jinwar, a women-only commune in northern Syria, exploring the possibilities of a political praxis based on an existence close to nature and within armed struggle. While producing the films, Arsanios organized different meetings with women farmers and ecological feminists from Syria, Lebanon, Colombia, Mexico, India, Poland, Denmark, and Greece to exchange knowledge around their cooperatives and communes.
Who is Afraid of Ideology? (Part 3) – Microresistances (2020) draws from these intense exchanges and footage partly filmed in the south of Tolima in Colombia. The last film of the trilogy focuses on the ongoing systemic war waged by transnational corporations against the smallest and the most essential element of life—the seed.
Övül Ö. Durmusoglu
COVID-19 VIDEOS
Carlos Motta
Video
Glossary of Common Knowledge
L’Internationale Online
Glossary
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
O Bailado do Deus Morto
Flávio de Carvalho
Play
Maternidades subversivas
María Llopis
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.