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Venue: daadgalerie
Founded 2016 in Copenhagen, DK
Since its inception in 2016, FCNN – Feminist Collective With No Name has compiled a variety of initiatives in Denmark. FCNNNews used the format of a news program as an instrument to subvert traditional notions of who speaks and who is heard. The topics covered went from white institutions and representation to the harms of gentrification and community-based resistance. FCNN exposes the violence towards and inherent exclusion of BIPoCs, queer folx, and working class people. They also denounce sexual harassment and racism within the art establishment. FCNN founded The Union–Cultural Workers’ Union for Black and People of Colour. The Union specifically aims to provide BIPoC artists with legal and other forms of support.
Hydrocapsules.love (2020) brings FCNN’s members Anita Beikpour and Dina El Kaisy Friemuth together with artist and music producer Neda Sanai. Proposed as a space both digital and physical, this new project functions as an ecofeminist organism of different collaborations and conversations specific to non-white voices. Instead of reaching out to be rejected, tokenized or stepped over, the project organizes, takes ownership, and creates communal agency. In this case, the collective is a feminist strategy that cancels the singular artist model as a producer of finished art commodities.
In a time when IRL gatherings have to reorganize, Hydrocapsules.love interrogates how a message can be shared. Even as we move fast and face the uncertainty of in-person reunion, depth can come through as a slogan. It is not only words describing a meaning but the combination of the object, the words, and the placement. Reading cyphers, music sharing, t-shirts, posters, and zines can all be vehicles for coming together. Traces of these encounters can be seen in a kind of concept store display. During Hydrocapsules.love, participants and guests will not refuse comfort for each other, tracing avenues to exist beyond the canons of capitalism, whiteness, and colonialist cultural inheritance.
Amelia Bande
>>> Hydrocapsules.love <<<
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 2016 in Copenhagen, DK
Since its inception in 2016, FCNN – Feminist Collective With No Name has compiled a variety of initiatives in Denmark. FCNNNews used the format of a news program as an instrument to subvert traditional notions of who speaks and who is heard. The topics covered went from white institutions and representation to the harms of gentrification and community-based resistance. FCNN exposes the violence towards and inherent exclusion of BIPoCs, queer folx, and working class people. They also denounce sexual harassment and racism within the art establishment. FCNN founded The Union–Cultural Workers’ Union for Black and People of Colour. The Union specifically aims to provide BIPoC artists with legal and other forms of support.
Hydrocapsules.love (2020) brings FCNN’s members Anita Beikpour and Dina El Kaisy Friemuth together with artist and music producer Neda Sanai. Proposed as a space both digital and physical, this new project functions as an ecofeminist organism of different collaborations and conversations specific to non-white voices. Instead of reaching out to be rejected, tokenized or stepped over, the project organizes, takes ownership, and creates communal agency. In this case, the collective is a feminist strategy that cancels the singular artist model as a producer of finished art commodities.
In a time when IRL gatherings have to reorganize, Hydrocapsules.love interrogates how a message can be shared. Even as we move fast and face the uncertainty of in-person reunion, depth can come through as a slogan. It is not only words describing a meaning but the combination of the object, the words, and the placement. Reading cyphers, music sharing, t-shirts, posters, and zines can all be vehicles for coming together. Traces of these encounters can be seen in a kind of concept store display. During Hydrocapsules.love, participants and guests will not refuse comfort for each other, tracing avenues to exist beyond the canons of capitalism, whiteness, and colonialist cultural inheritance.
Amelia Bande
>>> Hydrocapsules.love <<<
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 2016 in Copenhagen, DK
Since its inception in 2016, FCNN – Feminist Collective With No Name has compiled a variety of initiatives in Denmark. FCNNNews used the format of a news program as an instrument to subvert traditional notions of who speaks and who is heard. The topics covered went from white institutions and representation to the harms of gentrification and community-based resistance. FCNN exposes the violence towards and inherent exclusion of BIPoCs, queer folx, and working class people. They also denounce sexual harassment and racism within the art establishment. FCNN founded The Union–Cultural Workers’ Union for Black and People of Colour. The Union specifically aims to provide BIPoC artists with legal and other forms of support.
Hydrocapsules.love (2020) brings FCNN’s members Anita Beikpour and Dina El Kaisy Friemuth together with artist and music producer Neda Sanai. Proposed as a space both digital and physical, this new project functions as an ecofeminist organism of different collaborations and conversations specific to non-white voices. Instead of reaching out to be rejected, tokenized or stepped over, the project organizes, takes ownership, and creates communal agency. In this case, the collective is a feminist strategy that cancels the singular artist model as a producer of finished art commodities.
In a time when IRL gatherings have to reorganize, Hydrocapsules.love interrogates how a message can be shared. Even as we move fast and face the uncertainty of in-person reunion, depth can come through as a slogan. It is not only words describing a meaning but the combination of the object, the words, and the placement. Reading cyphers, music sharing, t-shirts, posters, and zines can all be vehicles for coming together. Traces of these encounters can be seen in a kind of concept store display. During Hydrocapsules.love, participants and guests will not refuse comfort for each other, tracing avenues to exist beyond the canons of capitalism, whiteness, and colonialist cultural inheritance.
Amelia Bande
>>> Hydrocapsules.love <<<
Freiheit für Chile!
Anonymous
Photo album
Umbilical Cord Amulet
McCord Museum
Object
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
New Look
Flávio de Carvalho
Performance
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Maternidades subversivas
María Llopis
Monograph
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: daadgalerie
Founded 2016 in Copenhagen, DK
Since its inception in 2016, FCNN – Feminist Collective With No Name has compiled a variety of initiatives in Denmark. FCNNNews used the format of a news program as an instrument to subvert traditional notions of who speaks and who is heard. The topics covered went from white institutions and representation to the harms of gentrification and community-based resistance. FCNN exposes the violence towards and inherent exclusion of BIPoCs, queer folx, and working class people. They also denounce sexual harassment and racism within the art establishment. FCNN founded The Union–Cultural Workers’ Union for Black and People of Colour. The Union specifically aims to provide BIPoC artists with legal and other forms of support.
Hydrocapsules.love (2020) brings FCNN’s members Anita Beikpour and Dina El Kaisy Friemuth together with artist and music producer Neda Sanai. Proposed as a space both digital and physical, this new project functions as an ecofeminist organism of different collaborations and conversations specific to non-white voices. Instead of reaching out to be rejected, tokenized or stepped over, the project organizes, takes ownership, and creates communal agency. In this case, the collective is a feminist strategy that cancels the singular artist model as a producer of finished art commodities.
In a time when IRL gatherings have to reorganize, Hydrocapsules.love interrogates how a message can be shared. Even as we move fast and face the uncertainty of in-person reunion, depth can come through as a slogan. It is not only words describing a meaning but the combination of the object, the words, and the placement. Reading cyphers, music sharing, t-shirts, posters, and zines can all be vehicles for coming together. Traces of these encounters can be seen in a kind of concept store display. During Hydrocapsules.love, participants and guests will not refuse comfort for each other, tracing avenues to exist beyond the canons of capitalism, whiteness, and colonialist cultural inheritance.
Amelia Bande
>>> Hydrocapsules.love <<<
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Fragments of the Artist’s Diary, Berlin 11.2019–1.2020
Virginia de Medeiros
Diary
#fight4rojava
Graffiti
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Hatred Among Us
Lisette Lagnado
Essay
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.