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exp. 1
exp. 2
exp. 3
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Freiheit für Chile!
Anonymous
Photo album
Solidarity and Storytelling. Rumors against Enclosure
María Berríos
Essay
Feminist Health Care Research Group
Web archive
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
Freiheit für Chile!
Anonymous
Photo album
Feminist Health Care Research Group
Web archive
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
O Bailado do Deus Morto
Flávio de Carvalho
Play
Hatred Among Us
Lisette Lagnado
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
A World Without Bones
Agustín Pérez Rubio
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Weaving Solidarity
Renata Cervetto and Duygu Örs
Q&A
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Was part of: exp. 1 and exp. 2
Born in Feira de Santana, BR – lives and works in São Paulo, BR
Virginia de Medeiros uses investigative processes to transgress hegemonic narratives by giving voice and visibility to neglected histories. In order to do so, Medeiros utilizes methodologies that are shared by art and documentary practices alike, such as displacement, participation, and fabulation. In her work, Medeiros does not seek to capture or represent the Other but rather depicts singular aspects of individuals or situations to become axiomatic. The artist has often employed photography and video as tools to represent identities and subjectivities that have been historically omitted, such as transgender people, transsexuals, women, or the homeless. Her artworks emerge from an intense immersive process, where she familiarizes herself and mingles with her research subject, trying to free herself from an ethnographic approach, annulling possible layers of prejudice, and allowing for intimacy and unforeseen narratives to emerge.
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Feminist Health Care Research Group
Web archive
Freiheit für Chile!
Anonymous
Photo album
II: La Solidaridad va Más Allá de un Concepto. Entre las Curadoras de la XI Berlin Biennale
Lisette Lagnado, Agustín Pérez Rubio
Conversation
Museo de la Solidaridad Salvador Allende (MSSA) in Berlin
A conversation between María Berríos and Melanie Roumiguière
Conversation
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.