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exp. 1
exp. 2
exp. 3
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
IV: How Fear Can Dismantle a Body. Vis-a-Vis with two of four curators of the 11th Berlin Biennale
María Berríos, Lisette Lagnado
Conversation
A World Without Bones
Agustín Pérez Rubio
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
El primer nueva corónica y buen gobierno
Felipe Guamán Poma de Ayala
Chronicle
Being in Crisis together – Einander in Krisen begegnen
Feminist Health Care Research Group (Inga Zimprich/Julia Bonn)
Online workshop
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Glossary of Common Knowledge
L’Internationale Online
Glossary
Undocumented Rumours and Disappearing Acts from Chile
María Berríos
Essay
Umbilical Cord Amulet
McCord Museum
Object
A Moment of True Decolonization / Episode #6: Sinthujan Varatharajah. Constructing the Tamil Eelam State
The Funambulist / Sinthujan Varatharajah
Podcast
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
COVID-19 VIDEOS
Carlos Motta
Video
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
Touching Feeling. Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
Monograph
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
Freiheit für Chile!
Anonymous
Photo album
THE MOBILIZATION
Nicolás Cuello
Text
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: 11th Berlin Biennale c/o ExRotaprint
Was also part of: exp. 1
Born 1971 in Sheroana, Amazonas, VE – lives and works in the Yanomami community of Platanal, VE, and in Caracas, VE
Sheroanawe Hakihiiwe uses vegetable ink and handmade paper to trace the stories, myths, and everyday life of his people. He relies on the memories of his mother and relatives to explore the nature of spiritual beliefs and the cultural and social practices of his Yanomami community, the Pori Pori. The artist, a skilled arrow maker and hammock weaver, has expanded Yanomami body painting to the non-traditional medium of paper. “We paint ourselves when there is a celebration, to show that we are happy and to hear the shaman’s song clearly when he calls us.” A graphic compendium of straight, parallel, curved, and dotted lines, arcs, circles, triangles, grids, webs, and rings evokes the insects, animals, and spirits of the Upper Orinoco—as with the red caterpillar, which is called upon in the present drawing.
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.