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exp. 1
exp. 2
exp. 3
Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Flávio de Carvalho: Fazenda Capuava
Archive of Lisette Lagnado
Photographs
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
THE MOBILIZATION
Nicolás Cuello
Text
Teatro da Vertigem
Monograph
Freiheit für Chile!
Anonymous
Photo album
Struggle as Culture: The Museum of Solidarity, 1971–73
María Berríos
Essay
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Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Memorial to the Sinti and Roma Victims of National Socialism
Dani Karavan
Memorial
Maternidades subversivas
María Llopis
Monograph
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
THE MOBILIZATION
Nicolás Cuello
Text
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
I: Junto a las curadoras de la XI Berlin Biennale for Contemporary Art
Renata Cervetto, Lisette Lagnado
Conversation
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Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Queer Ancient Ways: A Decolonial Exploration
Zairong Xiang
Monograph
Género y colonialidad en busca de claves de lectura y de un vocabulario estratégico descolonial
Rita Segato
Essay
BLM KOREA ARTS
#BlackLivesMatter #BLMKoreaArts
Young-jun Tak
Statement
THE MOBILIZATION
Nicolás Cuello
Text
A World Without Bones
Agustín Pérez Rubio
Freiheit für Chile!
Anonymous
Photo album
By using this website you agree to the use of cookies in accordance with our data privacy policy.
Venue: Gropius Bau
Was also part of: exp. 1
Founded 1984 in Paris, FR – live and work in Bogotá, CO
Heidi Abderhalden, Rolf Abderhalden, Daniela Bright, Juan Ernesto Díaz, Javier Hernández, José Ignacio Rincón, Ximena Vargas
Mapa Teatro is an artists’ lab by Colombian visual and performing artists Heidi and Rolf Abderhalden. In the immersive installation The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction (2020), the artists evoke an event that took place in the Colombian Amazon in 1969—the year a human being first set foot on the moon.
In the original story, an expedition of three men—a trader, a fur trafficker, and a gold prospector—happened upon a maloca (ceremonial space) of an Indigenous community in voluntary isolation. After this encounter, two of the men disappeared forever; only the gold digger, who was also a guaquero (grave robber), returned to Bogotá, where he became a goldsmith, exorcising the ghosts that returned in his dreams by making forgeries of pre-Columbian statuettes.
Mapa Teatro speculates about what these men might have faced during their encounter with the maloca, introducing three metaphorical characters: the Socratea exorrhiza (walking palm), the jaguar, and the nut. As in the imagined fiction, the installation seeks to free the spectator from an anthropocentric gaze through a hallucinatory image-sound experience, where the three characters come to life and enter into dialogue, creating a Pan-Amazonian narrative informed by archival and historical research. Additionally, the piece plays with different perspectives, alluding to the point of view of the Indigenous community itself. Within the installation, the visitor discovers that there is an “other place” accessible through a parallel entrance, from which one can observe the public immersed in the artwork.
The Moon is in the Amazon: Index #1, Index #2, Index #3: an ethnofiction functions as a laboratory that constructs forms of otherness in dialogue and confrontation, problematizing the privileging of modern scientific thinking within hegemonic narratives while revealing cosmogonies that exceed the Western genealogy.
Florencia Portocarrero
Maternidades subversivas
María Llopis
Monograph
III: La familia son quiénes se alegran con nuestros actos diarios. Detrás de las curadoras de la XI
María Berríos, Agustín Pérez Rubio
Conversation
Expresiones de la locura: el arte de los enfermos mentales
Hans Prinzhorn
Monograph
Umbilical Cord Amulet
McCord Museum
Object
Grupo Experimental de Cine en acción
Gabriel Peluffo
Drawing
COVID-19 VIDEOS
Carlos Motta
Video
By using this website you agree to the use of cookies in accordance with our data privacy policy.
By using this website you agree to the use of cookies in accordance with our data privacy policy.